This is a pretty big deal because no Misfits material has been rereleased since that complete box set came out over 25 years ago. It’s a picture disc and Cleopatra say that other versions, including a signed edition, are in the pipeline. Being the huge Misfits fan that I am I had to order this, and when the signed edition comes out I will also be ordering that. This is probably going to sell out fairly quickly so grab one while you can. It’s a pre-order that is going to be released right around Halloween, which is very fitting. EDIT: Signed edition sold out before I could get to it, which is fine because they wanted over £100 for it. LOL
Yesterday I went into town and looked through a couple of thrift stores, and again they were very picked over so I found nothing. However, I went to New Look and found two very cool items. The above photo is of a ruffled black blouse/dress that buttons down the front so that it could be used as a dress or in layering. I had a shorter blouse almost exactly like it 30 years ago so to say I am pleased would be an understatement.
I also found the above green microfiber trench coat. The photo is making it look discolored but it is indeed all green. I love the fact that it is very unstructured and has a great flow to it. It really fits into my spooky dystopian/post-apocalyptic aesthetic: my core colours are black, grey, camo green and dark purple.
There were several different black microfiber jackets and various black tops that had either lace or ruffles, and they had some cute Halloween themed socks. So if you are living in the UK get thee to your nearest New Look store.
I first heard about this a few days ago but this article really lays it all out, and I must say that I find this disturbing. As a huge fan of dystopian and post-apocalyptic media I automatically know that this type of ‘city’ never works out and always ends in tears. For whatever reason these Silicon Valley uber wealthy nerds think their idea is original. The above photo is from the film Logan’s Run which was made almost 50 years ago if that tells you anything.
This has been done by the Flannery Group who have quietly purchased 55,000 acres of farmland in Solano County in the San Francisco Bay Area. They are funded by various Silicon Valley wealthy investors, because of course they are. The American government has to know all about this because the land surrounds Travis Air Force Base. Since that government is run by the wealthy for the wealthy this doesn’t come as too much of a shock.
They say that this city will have thousands of new homes, clean transportation and orchards with millions of new trees. There will also be thousands of acres of open spaces and parks for the wealthy to enjoy. There is no way in hell that this is intended for people such as you and I. Make no mistake, this is intended as a ‘safe’ place for the wealthy as the environmental collapse worsens in the coming decades.
One of the things that really, really disturbs me about all of this is that where the hell are all of the workers serving these wealthy assholes going to live? Will they have to live in one room tenements in huge apartment blocks inside the walls or outside the walls? Will they have to wait in line twice a day to be bussed in and out? It just feels gross and classist as hell because you know that they will not have the same living standards as the wealthy.
This whole situation reminds me of the film The Land Of The Dead, in which the wealthy have their own walled off area away from the zombies. They have their own stores and they eat the best food as people outside the walls struggle just to survive. Eventually the walls are breached and their social experiment fails. Historically this always happens when the rich try to isolate themselves from everybody else. People living outside the walls will always breach them when they are hungry and don’t have food to feed their children. Maybe this is why they bought the land around the base; they expect the US military to protect them and their way of life.
Do I think that they will actually build it? I can’t imagine that the locals are happy about this, so I can’t see this being easily done. I think the only way that they are going to be able to build this is if they have direct deals with the U. S. federal government. Maybe they will promise homes for politicians in exchange for help in passing laws? Whatever the outcome this is just another case of the wealthy throwing money at an issue; building an environmentally sound city instead of actually trying to stop climate change from happening.
Most people do not know this, but I was supposed to move to the Lahaina area back in the summer of 1985. My father went over to get job and a place to live before my mother and I would arrive. Unfortunately he was killed by a drunk driver a few weeks before we were to join him. My mom, grandpa and I went to Maui and we had his funeral there. It was in a church in Lahaina and the pews were packed with locals who knew and loved my dad. The support we got from the people there will always mean a lot to me so this fire just breaks my heart. A lot of people there are poor and work multiple jobs just to scrape by, so many will not be able to rebuild.
If you want to help the people of Maui here are some charities that are on the ground helping them.
I am seeing all of this hype about the film Oppenheimer, but you know what I am not seeing? An honest discussion about all of the people in the Marshall Islands and in the US states of Nevada and Utah who got sick and died from radiation poisoning due to all of the nuclear bomb testing done by the US Government.
The above PBS documentary is excellent and discusses what happened far better than I ever could. Needless to say the US government knew that radiation was dangerous and tested those bombs near population centers anyway. Hollywood has sanitized all of this and I find it disgusting that they are hyping this like Oppenheimer was some sort of hero, when he in fact was responsible for killing and maiming hundreds of thousands of people in Japan, the U.S. and the Marshall Islands . Fuck Oppenheimer, both the film and the man.
Wondering why actors, writers and other Hollywood workers are on strike right now? Then you need to read this book. In it Maureen Ryan, an entertainment reporter, lays out what is wrong with Hollywood and how things need to change in order to move forward.
What is wrong in Hollywood? Rampant abuse of all kinds is rewarded, while those who complain about it are blacklisted and unable to find work in the industry. There is so much abuse detailed in this book that it was emotionally a tough read for me. I had heard about some of the abuse before but I had no idea that it was this bad. She devotes a whole chapter to the production side of the series Lost and what happened on set and behind the scenes will make your toes curl. A black actor complained that they didn’t have enough lines and that their character’s arc didn’t make sense and what happened to them? They were fired from the show.
The studio execs are a huge part of why this keeps happening and they refuse to change their ways. They are almost exclusively older white men, who see nothing wrong with the way things are. As long as their pockets are full of money who cares about people being verbally abused by directors or fondled by staff writers. They will give known abusers jobs because they make them a lot of cash. Remember folks, making money is more important than the basic human rights of others.
What I really love about this book is that she puts forward ideas that could make things change in a meaningfully way. Did you know that there isn’t a centralized place for people to report abuse going on in the industry? That really blew my mind. An industry that literally makes billions of dollars can’t bother to do this simple thing? That speaks volumes as to what kind of people are in charge.
This is a great book that gives you the truth as to what is really going on behind the scenes and it is a must read. With all of that being said, people in the industry deserve to be treated with respect. I stand behind all of the industry people on strike right now and I hope something good comes out of it.
The other day I mentioned on here about how Killstar has fired all of their design team. Well, that was only the tip of the iceberg when it comes to what is happening within the company right now. Yesterday I received a detailed email from my source about all of the insane crap going on inside the company and how it is affecting their bottom line. I’m usually not easily shocked when it comes to tales of workplace drama, but this is different.
That American private equity firm Bertram Capital didn’t outright purchase Killstar, like I had previously stated on another post. Instead they bought a majority stake in the company when the original owner, Tequila Star, wanted capital to expand and bring the company up to scratch. To say that she made a bad financial choice would be the understatement of the century. She chose a company who have no knowledge of alternative subcultures and it really shows.
Tequila Star stepped down as CEO of the company when Bertram Capital came into the picture, and they placed their own person into that role. They also brought in new heads of merchandising, products, etc.. This was done to restructure the company so that it functioned better. This is what the company needed; structure that worked more efficiently so that things could be run more smoothly. However, that is not what has happened.
Since the takeover the company has been struggling. Why? Because they are running it just like any other business, thinking that the same tactics would work for it that they have previously used elsewhere. In the autumn of 2021 they brought in a new head of product, and it became obvious very soon that she was overwhelmed by the role and had no clue as to what she was doing. Instead of listening to the employees and the fans of the brand as to what was wanted and what would work they ignored all of the advice and pushed for collaborations. Remember that horrid Avril Lavigne line of products that came out that everybody, including myself, made fun of? That was her idea.
That alone proved that they hadn’t a clue about punk, goth, emo,etc… subcultures. The fact that they thought that Avril Lavigne was in line with what fans of the brand wanted speaks volumes. They tried bragging about how well the line sold but it was very obvious that they couldn’t move the pieces because they looked like crap. The recent really ugly Dario Argento line is yet another example. I love Argento’s films but I wouldn’t wear that crap even if somebody promised me £100 to do so.
Then on top of all of this they put the head of design, who had been with the company for over five years, on garden leave and then outright fired her. They didn’t replace her until the Spring of 2022, and the guy they chose had no knowledge or interest in alternative designs. He was totally unfit for the role and was gone after a few months. They then brought in somebody else whom they also let go after only a few months.
During all of this they brought in people to try to structure the design team. Predictably these people had no knowledge or respect for alternative styles and subcultures. They created a very hostile work environment; so much so that some of the people within the product and design teams quit.
What happened next? Tequila Star came out of hiding and is now CEO once more. So, basically she fucked around and found out. I don’t pity her at all because she made some very badly informed financial decisions. Even I know about how private equity firms work and how detrimental they can be to the running of a company. The head of products was fired this past April and has not been replaced. My source thinks that Star has been working directly with the designers since she came back. However, things must not be going too well since the entire design team has been suddenly let go.
So, basically Star is trying to bring the company back from the brink of financial disaster but it really is too little too late. The reputation of the brand has been in the sewer since Bertram Capital came into the picture. Line after line of badly designed cheaply made clothing has been pumped out and it shows. Most of the newer pieces are the same silhouettes as older pieces with just new graphic designs being thrown up onto them. There is no originality taking place which is pretty telling. Also, their homeware range is now mostly brought in from suppliers and is not designed in house.
My source has some theories as to what is going to happen next with the company. Apparently they have lines designed for up to this Autumn, so my source thinks that they cut the entire design team in order to appear more solvent when they try to sell the company to a new buyer. This makes some sense and could indeed be what is happening. Another theory is that they will just hire freelance graphic designers and slap new designs onto the same old silhouettes. Lastly, they might just bring in everything from outside suppliers.
Apparently Killstar is making way less money this year than they did last year so it may be too late for Star to steer the company in the right direction. The only people that I feel sorry for in this entire situation are the alternative people who worked for the company and were shafted.
This entire situation is what happens when you let a private equity firm run an alternative focused company; you lose credibility with you core customers who no longer want anything to do with you and your inauthentic ways.
Apparently Killstar have just let go of their entire design team. I have received this information from an insider who knows of what they speak, so this is not gossip or a rumor making the rounds.
So, what does this mean? It means that they have not been doing well financially. I wrote a post a while back about how they got bought out by Bertram Capital, a private equity firm. What private equity firms do is buy companies, milk them for all they are worth and then dump them when they are no longer profitable. This is what they have been doing with Killstar. They have put out drop after drop and everything looks very cheaply made. Plus, on top of that, they have been having sale after sale. Just the fact that they have let go of their entire design team speaks volumes as to what is going on behind the scenes.
When will they go under? It has got to be soon and I will be munching on a bunch of popcorn as the drama unfolds.
As many of you know I am a total Arnie fan-girl, so it shouldn’t come as a surprise that I have watched the three part Netflix series Arnold. I have always had a lot of respect for him and after watching this series that respect has grown.
This series is pretty much Arnie talking about his life and how he got to where he is today. I have read his autobiography Total Recall a few times so a lot of what he shared wasn’t new to me, but the emotion that he conveyed in the series really brought the events closer to home.
Arnie talks about his politics and what he did as governor of California. I moved out of California about four months before that election so I didn’t get to vote which bummed me out! Yes, Arnie is a republican but he has never gone down the far right rabbit hole. He has more sense than to do that. When he talks about loving Reagan it made me wince a bit, but I can understand where he is coming from. He was an immigrant to the US, who bought into the whole ‘American Dream’ lie. What I really, really respect him for is that in this series he denies that he is a self made man. Rather, he says that he was very lucky to be surrounded by people who helped him to achieve his dreams.
He talks about how he was sexist back in his body building days and that he really regrets it. There is no glossing over the facts when it comes to some of the crap things that he did through the years. He takes full responsibility for his past actions, including cheating on Maria and fathering a son with their housekeeper. That son by the way looks a lot like him and Arnie loves him and is in his life. That part got me teary because some men would have just walked away from that situation and he didn’t.
If you are a fan of Arnie, or are just curious about his life, I would highly recommend watching this series. It’s really good and is how TV biographies of famous people should be done.
What is WGT I can hear some of you asking. It is the huge German goth music festival Wave Gotik Treffen that takes place In Leipzig every year. It is one of the largest goth music festivals in the world and people travel from everywhere to go to it.
Two people named Jean-Luc and Miss X wrote this article specifically for English speaking festival participants since many do not know all of the right wing neo-Nazi crap that has been happening at the festival. Everything from known neo-Nazi musicians being allowed to play at the event to white nationalists being allowed to set up stalls to share their hate filled agendas. The German press has reported on these very problematic issues, but such articles have not really gained traction outside of Germany. According to the article the people who run WGT will ban people from the festival if they speak out against it.
Well, quite frankly, since I have never been into music festivals I really don’t give a shit if I am on their permanently ‘banned’ list. I have included the entire article here, and I will give my thoughts under some of the sections. The section titles were created by the authors and the article can be found here. All working links are theirs as are grammatical mistakes. It was published on June the 3rd of 2023.
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For more than 20 years, one of the largest Goth festivals on the planet is working with artists and publishers that are affiliated with far right extremism, meaning they book them or allow them to run their business on the festival premisses. The company behind the festival is doing this consistently and repeatedly and this is no secret. There is very little discourse regarding this in the goth scene and there has been next to no impact in the few years where it has been mentioned. Newspapers and magazines covered this, everything you can say on the matter is old news, except for the fact that this is not historical information, this is ongoing. The only people that are still really on the matter are local Antifa groups.
Since I have zero interest in attending music festivals I personally have never looked into the history of WGT. Since so many people from the UK and the US go every year you would think that the news about all of this white nationalist shit would have gotten out, but apparently people are scared to speak out?
Why write about this at all?
We believe this is relevant. Far right ideologies have real world debilitating impact. jl grew up with his family exposed in the Yugoslav civil war, a war motivated by nationalist ideology and racism. His family never fully recovered from the propaganda tactics used to promote division. Today most of us are in some way impacted by Russia’s criminal war on Ukraine that is motivated by the ultranationalist ideologies of figures like Alexander Dugin. Sociopolitical developments like these benefit from a soundtrack, from some emotional priming, from social events normalising the motives.
There has been a marked rise lately of this within alternative subcultures and in society in general.
WGT has a history of platforming artists and publishers promoting these motives. At the same time the festival never positioned itself, never distanced itself from the far right, claiming to be apolitical, which in practice meant they don’t wanna talk about it.
Most of the time when somebody says they are apolitical that just means they support a far right agenda and are too chickenshit to share their real views. White nationalists tend to be cowards. I, and others in leftist circles, have witnessed this over and over again.
When X talked about these things in a series of instagram stories on Monday, we learned that surprisingly many non German speakers had no clue about these things, so obviously there are still some people that can consider this whole story news. And maybe some of the Germans are too young to know.
I’m still surprised as hell that this news has been so well hidden outside of Germany.
When we asked ourselves why these people had no clue, we figured there is hardly any non German info on this (unless you wanna do research on some Russian neofolk fan forums or something).
We decided to change this and give our international friends some insights on things German goths don’t seem super happy to discuss.
I give them props for wanting to bring all of this dankness into the light.
So what’s happening at WGT?
This little article does not have the right scope to give you a full chronicle of events. What we’d however like to help you understand is that WGT as a festival is open to far right extremists over years and decades, even over two different companies organising the festival. If we would look at all of the individual occurrences we could claim accidents, but instead this all repeats. It is a constant of the festival, it is a feature, not a bug. We can’t tell whether this extreme right influences are just bound to a some small group of individuals or whether it is a small yet intrinsic element of the scene. No clue. But to give you a bit of background we compiled some facts and events to give a concrete idea what this is about, so you can decide for yourself.
I totally wouldn’t be surprised if this is a concerted effort on the part of German white nationalist groups to spread their message to a larger audience. Obviously somebody has connections with festival organizers in Germany to be able to pull off this level of crap.
In the year 2000, Mayor of Leipzig Holger Tschense feels forced by public pressure to prohibit Joseph Klumb, frontman of “Von Thronstahl”, to perform at the festival. The promoters do not cancel the slot though, so the band plays their CD while standing on stage in protest, holding a shovel and a flag with a black sun on it, a symbol originating in Nazi Germany, first seen in a floor mosaic in Heinrich Himmlers fancy little SS castle. The audience cheers the performance in front of Völkerschlachtdenkmal. This gig is not listed in WGT’s gig history, but if you google it you can still find the limited edition live recording from 2001 on discogs released on Fasci-Nation Recordings. Distributed by VAWS, which we’ll go into later. Von Thronstahl also wrote about the performance on their own webpage – we’re not going to link to that, you can find that yourself if you really want to look at it.
This is just so fucked up I can’t.
In 2009, WGT printed Heinrich Himmlers black sun (see above) on the festival’s “Obsorgekarte”, the ticket you needed for camping and public transport in Leipzig. Goth band ASP wrotea public protest note (in German) and announced they wouldn’t play WGT ever again unless the promoter would give an apology and explanation. The explanation they received was not signed in the name of the company, but rather by individuals. They claimed that none of the cultural creators involved is following any political goals with WGT and that the black sun is somehow about the 2000 year jubilee of the Varus battle. This legendary battle of Germanic tribes against the Romans was used several times throughout history to create an emotional backing for a political unity of Germany, to create some founding narrative of Germany that is predating any modern constitution. While there are in fact similar looking objects used by the tribes of the time, these are not the ones WGT used. They used the 12 S-runes, as found on Heinrich Himmler’s beloved floor piece. ASP wasn’t happy with that explanation and never showed up again. Threads about the issue in the official WGT forum were deleted by admins citing a “no politics” forum policy.
I actually know quite a bit about the ancient Roman Empire. In one form or another it lasted about 2,000 years, while the Nazis were in power for less than twenty. The Nazis were losers, just like modern German white nationalists. It’s gross as hell that they got away with this shit in the year 2009. The organizers of the WGT are pathetic for allowing this crap to happen. Kudos to ASP for refusing to play a show there.
For decades now, publisher VAWS has a booth in the merch area. The people that distributed that Fasci-Nation limited edition Von Thronstahl record according to discogs. The German Federal Office for the Protection of the Constitution took note of the company in 2002 and reported: “Through special offers and events, the alleged fascination with the aesthetics of fascism and National Socialism is to be revived, thus promoting right-wing extremist views on a cultural level.”. If you must, check out their website, you should be able to figure the general idea. You’ll find yourself somewhere between “Covid is a bio weapon”, “Argentinian exile Nazi isn’t really a Nazi” and “Let’s sell industrial tracks by putting tits on the cover”. Maybe you also wanna buy some Riefenstahl stuff.
They are allowed a booth there and nobody has done anything against it? The festival has the numbers to run this kind of shit out physically so why are people sitting on their hands? If I was wandering around a festival and saw that kind of shit I would have some very heated words and I might accidentally knock things down with my cane.
In 2015, WGT booked Majdanek Waltz, an openly fascist Russian band named after the concentration and extermination camp Majdanek. These are people that like to sing about how much they love their swastika. You can’t make this shit up. A German article looking into the band and its lyrics can be found here.
FFS
In 2022, WGT booked Of The Moon And The Wand, which has long-standing ties to nazi band Der Blutharsch. It was the seventh time the band played the festival. A local Antifa page posted a German article about it here.
Disgusting.
In 1999, 2009 and also this year 2023 Fire + Ice performs at WGT. Frontman Ian Read, when asked in an interview about fascist and racist ideas, utters that he feels that no idea is completely worthless. Read claims that Germans suffer from a post war brain wash and should stop thinking about what is “correct”. He claimed that in this context of this brainwash the German abbreviation for concentration camp (Konzentrationslager) was changed from KL to KZ to make it sound more scary, implying that some kind of post war propaganda is trying to make things seem worse than they are. The thing with the change of abbreviation is even correct, except this change was done earlier as you can read in Eugen Kogons 1946 book “Der SS-Staat”. Kogon, himself a concentration camp inmate, writes that SS Soldiers preferred KZ over the official abbreviation because it sounds more, well, scary. Some more comprehensive background in English can be found here.
That dude who threw that famous punch in Seattle a few years back needs to get his ass to WGT because he is needed there. I can’t believe people just stand there and let this shit happen. That is what blows my mind the most about this.
Also this year, Austrian stand-up comedian Lisa Eckhart was booked. She’s among that breed of comedians who make money by saying “controversial” things, on national TV. Let me give you examples: “The erection of the black person’s penis requires all seven litres of blood that a human being has at his disposal.” or how do you like: “Paying reparations to the Jews is like giving Red Bull founder Mateschitz a Red Bull.”. Lisa likes using the N-Word a lot and believes that Asian people see the world in widescreen blockbuster format. That’s why they’re so afraid of Covid, you know? That’s all not enough to put her in the nazi corner I guess. She however works hard to stretch boundaries.
Somebody should have pelted her with eggs. Just saying.
Who feels like they are getting an advantage out of her work? VAWS had her face plastered all over their booth. This might give a hint. The fact that she, of all German-speaking standup comedians, was booked despite having no known goth scene relationship will give you another.
This is one of the reasons why I think a white nationalist network is behind this shit. Its coordinated.
As previously mentioned, the above list of events is not comprehensive and we could go on for a while, but we’ll leave it like this because we have other, better hobbies.
So what does this all mean?
WGT is a festival that is very open towards the right and even the extremist right. This is not a bug, it’s a feature. For decades it is a selling point of the festival. If you look at their language, their collabs, their general behaviour you will find dogwhistles and hints. If you look at how they whined on facebook in 2022 about how the city of Leipzig offered parts of the festival ground to Ukrainian refugees, inconveniencing their festival planning, there was barely any expression of solidarity. They simply blamed Leipzig. One could say that’s not too surprising for a promoter that likes to book Russians that like their swastikas a lot. Despite all this, people come to the festival like clockwork, every damn year.
What a bunch of assholes. Seriously.
What we see is of course not a right wing subversion of the scene as a whole. What we see is a scene that seems largely indifferent to their openness to the extreme right. People are unwilling to raise any critical voice, don’t care enough or have no clue what to do. Likely many festival goers feel like their culture was taken hostage by people they actually don’t wanna hang with. WGT is the one big party where they meet all their friends and they want to have a god time and there is no reason to deny them a good time. It’s like facebook. It’s kinda shit, but we can’t really agree on where else to go. And of course there are actual nationalists, conspiracy nutters, third reich apologists, blood and soil occultists and tons of boring, conservative boomers on top. This interesting mixture produces bizarre situations.
It is the time honoured ‘not wanting to lose goth scene cred’ excuse. Nobody wants to step up and say shit because they are afraid of losing that cred and I find that pathetic as hell. Especially when it involves excusing away neo-Nazi talking points. Remember kids, it is more important to attend a festival and be ‘seen’ than to openly act against neo-Nazis.
Recently I saw that one Tobias Theiss is making a free android app (WGT-Guide) that helps visitors to organise their party schedule. WGT has a lot of venues and stages, so this app is helpful. Since Tobias righteously doesn’t like these fascist tendencies, he omits certain acts from the app and doesn’t show them. This way he produces an independent app, for free, that adds value to a festival with above track record and calls this anti-fascist action. We can’t blame Tobias and I salute him for his service for the community, and for not going crazy because of the 1-Star reviews right wingers give him on the google play store. Still, that’s an interesting kind of mental gymnastics, that might be familiar to many people that participate and feel not perfectly well about it.
That is cool that he refuses to list the neo-Nazi crap on his WGT app. He shouldn’t have had to make it in the first place, but this is the world we are living in right now.
So what do?
We don’t go to WGT because we’re tired of that crap and do not want to put money there. It’s not even that someone books a Nazi band in Sachsen, that happens all the time. It’s rather the jarring indifference of the the scene, audience and artists alike. We very much understand that not going isn’t a good option for other people. But if you’re not indifferent as a festival goer and are just wondering what you actually can do about this, we have a few ideas.
Proves that parts of the goth subculture are still apathetic as hell. This shouldn’t come as a surprise because the same shit was happening over thirty years ago.
First off: share this information. This is not for the fame and follows, but certainly it would be helpful to let people know. WGT deems itself “unpolitical” in the sense that it doesn’t want to discuss politics. This does not apply to us. The goth scene is not discussing these things enough – we assumed everyone knew, but judging from the amount of very concerned DMs we got, that’s not the case. As mentioned in the intro, on some of this stuff we couldn’t even find sources in English. Feel free to share any of the things we made available or use them as a reference. If you do decide not to go to WGT, and people ask why you’re staying home, tell them why.
Please share the article, because more English speakers do indeed need to learn about this.
Inform yourself about how to spot a neo-nazi, which symbols and dogwhistles are in circulation etc, so you can act on it if you see them.
A link all about the symbols and groups is further down..
If you’re an artist and WGT tries to book you, we understand that this is a good career opportunity for you and it’s difficult to say no. Please consider that being on a stage gives you a platform, and you can use that platform to make a statement. Nobody said your performance can’t include some educational content or that you can’t curate your audience by telling certain people to leave. Nobody said you can’t do a diss track. Nobody said you can’t publicly stand up for something.
I wish more bands would speak out while on stage.
Make it uncomfortable to be a neo-nazi or to be in close proximity to them. Leave the situation or conversation and tell people why. If you feel up for it, you can confront people directly, but only do this if you feel it’s safe for you to do so, and remember you don’t owe these people a debate about their batshit ideas. In Germany, you can actually call the police if you see a suspicious symbol. There’s a good chance the symbol is illegal or restricted and you don’t even have to be there while the cops sort it out.
Good advice. Some neo-Nazis are very violent so if you are going to confront one in person make sure you have friends with you who will back you up.
You will possibly find more familiar stuff in there than you would like.
Contact any organisation that allows this stuff on its premises and demand an explanation and apology for why it is there. Demand that they correct the situation. You can write them an email or call them out publicly, whatever suits your comfort level. Again, if you feel safe, you can ask people at the festival directly.
This is so important. If people do not confront neo-Nazis they feel safe which is something that should never be allowed to happen.
Be however informed that people criticising WGT are reported to have lost access to festival accreditation over it before, so if you are a journalist or photographer, keep this in mind.
I don’t give a shit since I will never go to it. Plus, calling out neo-Nazis is more important than going to a festival. Especially when the festival is allowing neo-Nazis on stage and in booths.
“People like us need to stop fuelling dystopias only because we grew up loving its aesthetics.”
Marco Visconti distilled it all down to this one very handy statement. It is not wise to help make negative expectation and dystopian outlooks a reality. Not on an individual, not on a sociocultural or political level. While this is a different and pretty complex issue that can be addressed another time: our stories and images matter. Our relationship to them matters and it shapes out reality. We hope this resource will help you to navigate all this for yourself and will help you to take charge if you feel you should.
From the title of this blog you know I love dystopian and post-apocalyptic media, however I would never support neo-Nazi crap. Plague? Sure. Earthquakes? Sure. Space alien invasion? Sure. Neo-Nazi crap? Hell no!
I hope sharing this article has helped people learn the truth as to what is really going down at WGT. Please share this or the article itself so that people can make an informed decision as to whether they want to go next year or not.
