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Tag: Hip-Hop

Songs That Were Played In The Alternative Clubs I Went To From 1988-92

This was the inside of the alternative club One Step Beyond that I went to from 1988 till it closed in 1991. I vividly remember that head painting! Not my photo.

I went to my first ‘alterative’ club in early 1988 on my 17th birthday, and it was called One Step Beyond in Santa Clara California. For whatever reason their age limit was 17 and up instead of 18, and I had a friend that had a car so I know I was very lucky to get to experience this. My friend had graduated in 87 so I was the only teen from my high school that went. My mom was/is cool and never gave me a curfew and let me go.

What did I experience exactly? It was the tail end of new wave, so the older songs were still played regularly. Radio stations refused to play rap songs by certain artists like 2 Live Crew or NWA and alternative clubs such as One Step Beyond were among the only places that you could hear those bands being played. The American government was trying to get such bands banned for offensive lyrics so playing such music in a club setting was actually pretty forward thinking for the time.

That is me on the left at the Twilight Zone in early 1991 when I was 20. Yes, I did the jacket myself, it had a Fiend skull on the back.

Rather than me droning on and on I am going to be posting some songs that I vividly remember being played during that time at One Step Beyond, The Twilight Zone and The Edge. Each place had it’s own unique vibe. The Edge was close to Stanford University so it was where the wealthy students would go if they wanted to go slumming, but there was definitely a gaggle of weirdos that also went there. The Twilight Zone was in an old movie theatre lobby and had the best venue I have ever been to. It has sweeping staircases to a second level where you could look down on the dance-floor and it was all ages. Finally, One Step Beyond. It had the most diverse crowd out of the three. There were punkers, mods, skins, etc… and everybody pretty much got along.

These are in no sort of order and are songs that I heard during that time in the clubs. Notice how eclectic this list is? It’s why I loved these clubs. I think something was definitely lost when the goth nights started to pop up in the early 90’s and left a lot of this music behind.

Desireless – Voyage Voyage (1986)

Red Flag – If I Ever (1989)

https://www.youtube.com/watch?v=0ZlO_T71Ncw

Digital Underground – Doowutchyalike (1990)

A Flock Of Seagulls – Wishing (If I Had A Photograph) (1983)

Virgin Prunes – Pagan Love Song (1982)

2 Live Crew – Get It Girl (1987)

My Life With The Thrill Kill Cult- The Days Of Swine And Roses (1990)

Christian Death – Church Of No Return (1989)

Ofra Haza – Im Nin’Alu (1988)

Technotronic – Pump Up The Jam (1990)

Billy Idol – Dancing With Myself (1981)

Specimen – Kiss Kiss Bang Bang (1983)

Fake – Another Brick (1985)

Laid Back – White Horse (1983)

Blancmange – Living On The Ceiling (1982)

Grandmaster Flash & Melle Mel – White Lines (Don’t Do It) (1983)

Deee-Lite – Groove Is In The Heart (1990)

Soft Cell – Sex Dwarf (1981)

Front 242 – Don’t Crash (1985)

Eric B. & Rakim – Paid In Full (1987)

Hip-Hop/Trap Is Not A Form Of Goth Music

Cross Vanilla Ice with Marilyn Manson and this is what happens.

There are a bunch of people right now who think that recent really shit hip-hop/trap bands are goth just because they sing about sad or dark subjects. This is perpetuated by said bands who advertise themselves as ‘goth’ in order to seem ‘dark’ and ‘dangerous’. The funny thing about all of this is the fact that these bands create a falsehood about a subculture because they believe in certain stereotypes about the subculture that are false.

Before I really dig into this I would like it to be known that I am a fan of early hip-hop and rap music. I respect the hell out of bands such as NWA and Public Enemy because they were not afraid to write songs about the issues that affected them and their communities. Hip-hop/rap music grew right alongside punk music, and I think what those two bands accomplished was way more in the spirit of punk that mainstream type pop-punk bands such as Green Day. I am looking forward to Public Enemy’s new album What You Gonna Do When The Grid Goes Down and have pre-ordered it. This is all to say that I do not hate all hip-hop/rap music.

Who are these bands causing these issues? One of the more visible groups of musicians associated with this phenomenon are gothboiclique, who frequently also get labelled as ’emo rap’. It’s all actually a bit confusing because their fans quite often can’t decide to either call them goth or emo. Many think both genres are the same, when in fact we know that they are not. Just because somebody sings about emotional or dark topics doesn’t mean that they are automatically goth or emo. Goth is a form of post-punk that started in the late 70’s while the roots of emo stretch back all the way to the 80’s. They are both guitar oriented types of music, in which some keyboards may or may not make an appearance. It’s not the other way around. They also get described as SoundCloud rap because it is the music platform they mostly appear on. Also, there is another collective group out of Atlanta called The Vampire Cult. How edgy of them.

When called out on all of this they will almost always call you a gatekeeper, because you are calling their identity into question. Most of them are teens who want to desperately belong to a subculture, even if they don’t really know what said subculture is actually about. If one of their favourite musicians call themselves ‘goth’ then they latch onto that because basing their identity on the opinion of a musician is seen as more ‘real’. They even try to look like these musicians, drawing crap on their faces and wearing black hip-hop/rap associated clothing.

As I said in the start of this these musicians who call themselves ‘goth’ are basing their understanding of the goth subculture off of the mainstream stereotypes of the goth subculture. For instance, a lot of them love Marilyn Manson and think that he is a goth who makes goth music. Apparently, from what I have read online, he hung out with some of them and has name dropped them before. I don’t know how true that is but it really sounds plausible. Since the mainstream has always thought that Manson is goth because he’s ‘spooky’ and ‘dark’, these musicians think that if they sing about the same subjects that they should also be considered goth. What they fail to realise is that Marilyn Manson has never been considered a part of the goth subculture by the majority of the people who actually participate in it. He is an abuser of woman and a vile piece of shit on top of all of that.

Another really obvious thing that contributes to this whole miasma of misunderstanding is the image that ‘dark’ clothing companies perpetuate as being how ‘goths’ are supposed to look. The moon, pentagram, pentacle, ankh and general clusterfuck of religious symbols vomited upon clothing and objects is something really easy for these musicians to latch onto. All they have to do is spend some money and they can look ‘dark and ‘spooky’ and be granted automatic entry into the goth subculture. When they try to enter the goth subculture by dressing this way, instead of actually listening to real goth music, they get very defensive and the term ‘gatekeeper’ gets thrown about.

If you are one of the people that I have been describing here is a list of actual goth bands. This is a very diverse list so there is something for just about everybody on it. If you don’t like any of these bands at all then perhaps you should look into a subculture whose music you actually do like, because it makes no sense to call yourself a member of a subculture whose music history you hate.

  • Christian Death
  • Lycia
  • Sex Gang Children
  • Sonsombre
  • Pawns
  • Mystic Priestess
  • Nox Novacula
  • Detoxi
  • Then Comes Silence
  • Panic Priest
  • Kentucky Vampires
  • Scary Black
  • Horror Vacui
  • Bauhaus
  • Love &Rockets
  • Sisters Of Mercy
  • Virgin Prunes
  • The Cure
  • Mephisto Walz
  • The Creeping Terrors
  • London After Midnight
  • Angels Of Liberty

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