Tag: Goth (Page 1 of 5)

My Reaction To The Article ‘Far Right Extremists At WGT Are A Feature, Not A Bug.’

June 6, 2023 / dystopiagal / 0 Comments

What is WGT I can hear some of you asking. It is the huge German goth music festival Wave Gotik Treffen that takes place In Leipzig every year. It is one of the largest goth music festivals in the world and people travel from everywhere to go to it.

Two people named Jean-Luc and Miss X wrote this article specifically for English speaking festival participants since many do not know all of the right wing neo-Nazi crap that has been happening at the festival. Everything from known neo-Nazi musicians being allowed to play at the event to white nationalists being allowed to set up stalls to share their hate filled agendas. The German press has reported on these very problematic issues, but such articles have not really gained traction outside of Germany. According to the article the people who run WGT will ban people from the festival if they speak out against it.

Well, quite frankly, since I have never been into music festivals I really don’t give a shit if I am on their permanently ‘banned’ list. I have included the entire article here, and I will give my thoughts under some of the sections. The section titles were created by the authors and the article can be found here. All working links are theirs as are grammatical mistakes. It was published on June the 3rd of 2023.

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For more than 20 years, one of the largest Goth festivals on the planet is working with artists and publishers that are affiliated with far right extremism, meaning they book them or allow them to run their business on the festival premisses. The company behind the festival is doing this consistently and repeatedly and this is no secret. There is very little discourse regarding this in the goth scene and there has been next to no impact in the few years where it has been mentioned. Newspapers and magazines covered this, everything you can say on the matter is old news, except for the fact that this is not historical information, this is ongoing. The only people that are still really on the matter are local Antifa groups.

Since I have zero interest in attending music festivals I personally have never looked into the history of WGT. Since so many people from the UK and the US go every year you would think that the news about all of this white nationalist shit would have gotten out, but apparently people are scared to speak out?

Why write about this at all?

We believe this is relevant. Far right ideologies have real world debilitating impact. jl grew up with his family exposed in the Yugoslav civil war, a war motivated by nationalist ideology and racism. His family never fully recovered from the propaganda tactics used to promote division. Today most of us are in some way impacted by Russia’s criminal war on Ukraine that is motivated by the ultranationalist ideologies of figures like Alexander Dugin. Sociopolitical developments like these benefit from a soundtrack, from some emotional priming, from social events normalising the motives.

There has been a marked rise lately of this within alternative subcultures and in society in general.

WGT has a history of platforming artists and publishers promoting these motives. At the same time the festival never positioned itself, never distanced itself from the far right, claiming to be apolitical, which in practice meant they don’t wanna talk about it.

Most of the time when somebody says they are apolitical that just means they support a far right agenda and are too chickenshit to share their real views. White nationalists tend to be cowards. I, and others in leftist circles, have witnessed this over and over again.

When X talked about these things in a series of instagram stories on Monday, we learned that surprisingly many non German speakers had no clue about these things, so obviously there are still some people that can consider this whole story news. And maybe some of the Germans are too young to know.

I’m still surprised as hell that this news has been so well hidden outside of Germany.

When we asked ourselves why these people had no clue, we figured there is hardly any non German info on this (unless you wanna do research on some Russian neofolk fan forums or something).

We decided to change this and give our international friends some insights on things German goths don’t seem super happy to discuss.

I give them props for wanting to bring all of this dankness into the light.

So what’s happening at WGT?

This little article does not have the right scope to give you a full chronicle of events. What we’d however like to help you understand is that WGT as a festival is open to far right extremists over years and decades, even over two different companies organising the festival. If we would look at all of the individual occurrences we could claim accidents, but instead this all repeats. It is a constant of the festival, it is a feature, not a bug. We can’t tell whether this extreme right influences are just bound to a some small group of individuals or whether it is a small yet intrinsic element of the scene. No clue. But to give you a bit of background we compiled some facts and events to give a concrete idea what this is about, so you can decide for yourself.

I totally wouldn’t be surprised if this is a concerted effort on the part of German white nationalist groups to spread their message to a larger audience. Obviously somebody has connections with festival organizers in Germany to be able to pull off this level of crap.

In the year 2000, Mayor of Leipzig Holger Tschense feels forced by public pressure to prohibit Joseph Klumb, frontman of “Von Thronstahl”, to perform at the festival. The promoters do not cancel the slot though, so the band plays their CD while standing on stage in protest, holding a shovel and a flag with a black sun on it, a symbol originating in Nazi Germany, first seen in a floor mosaic in Heinrich Himmlers fancy little SS castle. The audience cheers the performance in front of Völkerschlachtdenkmal. This gig is not listed in WGT’s gig history, but if you google it you can still find the limited edition live recording from 2001 on discogs released on Fasci-Nation Recordings. Distributed by VAWS, which we’ll go into later. Von Thronstahl also wrote about the performance on their own webpage – we’re not going to link to that, you can find that yourself if you really want to look at it.

This is just so fucked up I can’t.

In 2009, WGT printed Heinrich Himmlers black sun (see above) on the festival’s “Obsorgekarte”, the ticket you needed for camping and public transport in Leipzig. Goth band ASP wrote a public protest note (in German) and announced they wouldn’t play WGT ever again unless the promoter would give an apology and explanation. The explanation they received was not signed in the name of the company, but rather by individuals. They claimed that none of the cultural creators involved is following any political goals with WGT and that the black sun is somehow about the 2000 year jubilee of the Varus battle. This legendary battle of Germanic tribes against the Romans was used several times throughout history to create an emotional backing for a political unity of Germany, to create some founding narrative of Germany that is predating any modern constitution. While there are in fact similar looking objects used by the tribes of the time, these are not the ones WGT used. They used the 12 S-runes, as found on Heinrich Himmler’s beloved floor piece. ASP wasn’t happy with that explanation and never showed up again. Threads about the issue in the official WGT forum were deleted by admins citing a “no politics” forum policy.

I actually know quite a bit about the ancient Roman Empire. In one form or another it lasted about 2,000 years, while the Nazis were in power for less than twenty. The Nazis were losers, just like modern German white nationalists. It’s gross as hell that they got away with this shit in the year 2009. The organizers of the WGT are pathetic for allowing this crap to happen. Kudos to ASP for refusing to play a show there.

For decades now, publisher VAWS has a booth in the merch area. The people that distributed that Fasci-Nation limited edition Von Thronstahl record according to discogs. The German Federal Office for the Protection of the Constitution took note of the company in 2002 and reported: “Through special offers and events, the alleged fascination with the aesthetics of fascism and National Socialism is to be revived, thus promoting right-wing extremist views on a cultural level.”. If you must, check out their website, you should be able to figure the general idea. You’ll find yourself somewhere between “Covid is a bio weapon”, “Argentinian exile Nazi isn’t really a Nazi” and “Let’s sell industrial tracks by putting tits on the cover”. Maybe you also wanna buy some Riefenstahl stuff.

They are allowed a booth there and nobody has done anything against it? The festival has the numbers to run this kind of shit out physically so why are people sitting on their hands? If I was wandering around a festival and saw that kind of shit I would have some very heated words and I might accidentally knock things down with my cane.

In 2015, WGT booked Majdanek Waltz, an openly fascist Russian band named after the concentration and extermination camp Majdanek. These are people that like to sing about how much they love their swastika. You can’t make this shit up. A German article looking into the band and its lyrics can be found here.

FFS

In 2022, WGT booked Of The Moon And The Wand, which has long-standing ties to nazi band Der Blutharsch. It was the seventh time the band played the festival. A local Antifa page posted a German article about it here.

Disgusting.

In 1999, 2009 and also this year 2023 Fire + Ice performs at WGT. Frontman Ian Read, when asked in an interview about fascist and racist ideas, utters that he feels that no idea is completely worthless. Read claims that Germans suffer from a post war brain wash and should stop thinking about what is “correct”. He claimed that in this context of this brainwash the German abbreviation for concentration camp (Konzentrationslager) was changed from KL to KZ to make it sound more scary, implying that some kind of post war propaganda is trying to make things seem worse than they are. The thing with the change of abbreviation is even correct, except this change was done earlier as you can read in Eugen Kogons 1946 book “Der SS-Staat”. Kogon, himself a concentration camp inmate, writes that SS Soldiers preferred KZ over the official abbreviation because it sounds more, well, scary. Some more comprehensive background in English can be found here.

That dude who threw that famous punch in Seattle a few years back needs to get his ass to WGT because he is needed there. I can’t believe people just stand there and let this shit happen. That is what blows my mind the most about this.

Also this year, Austrian stand-up comedian Lisa Eckhart was booked. She’s among that breed of comedians who make money by saying “controversial” things, on national TV. Let me give you examples: “The erection of the black person’s penis requires all seven litres of blood that a human being has at his disposal.” or how do you like: “Paying reparations to the Jews is like giving Red Bull founder Mateschitz a Red Bull.”. Lisa likes using the N-Word a lot and believes that Asian people see the world in widescreen blockbuster format. That’s why they’re so afraid of Covid, you know? That’s all not enough to put her in the nazi corner I guess. She however works hard to stretch boundaries.

Somebody should have pelted her with eggs. Just saying.

Who feels like they are getting an advantage out of her work? VAWS had her face plastered all over their booth. This might give a hint. The fact that she, of all German-speaking standup comedians, was booked despite having no known goth scene relationship will give you another.

This is one of the reasons why I think a white nationalist network is behind this shit. Its coordinated.

As previously mentioned, the above list of events is not comprehensive and we could go on for a while, but we’ll leave it like this because we have other, better hobbies.

So what does this all mean?

WGT is a festival that is very open towards the right and even the extremist right. This is not a bug, it’s a feature. For decades it is a selling point of the festival. If you look at their language, their collabs, their general behaviour you will find dogwhistles and hints. If you look at how they whined on facebook in 2022 about how the city of Leipzig offered parts of the festival ground to Ukrainian refugees, inconveniencing their festival planning, there was barely any expression of solidarity. They simply blamed Leipzig. One could say that’s not too surprising for a promoter that likes to book Russians that like their swastikas a lot. Despite all this, people come to the festival like clockwork, every damn year.

What a bunch of assholes. Seriously.

What we see is of course not a right wing subversion of the scene as a whole. What we see is a scene that seems largely indifferent to their openness to the extreme right. People are unwilling to raise any critical voice, don’t care enough or have no clue what to do. Likely many festival goers feel like their culture was taken hostage by people they actually don’t wanna hang with. WGT is the one big party where they meet all their friends and they want to have a god time and there is no reason to deny them a good time. It’s like facebook. It’s kinda shit, but we can’t really agree on where else to go. And of course there are actual nationalists, conspiracy nutters, third reich apologists, blood and soil occultists and tons of boring, conservative boomers on top. This interesting mixture produces bizarre situations.

It is the time honoured ‘not wanting to lose goth scene cred’ excuse. Nobody wants to step up and say shit because they are afraid of losing that cred and I find that pathetic as hell. Especially when it involves excusing away neo-Nazi talking points. Remember kids, it is more important to attend a festival and be ‘seen’ than to openly act against neo-Nazis.

Recently I saw that one Tobias Theiss is making a free android app (WGT-Guide) that helps visitors to organise their party schedule. WGT has a lot of venues and stages, so this app is helpful. Since Tobias righteously doesn’t like these fascist tendencies, he omits certain acts from the app and doesn’t show them. This way he produces an independent app, for free, that adds value to a festival with above track record and calls this anti-fascist action. We can’t blame Tobias and I salute him for his service for the community, and for not going crazy because of the 1-Star reviews right wingers give him on the google play store. Still, that’s an interesting kind of mental gymnastics, that might be familiar to many people that participate and feel not perfectly well about it.

That is cool that he refuses to list the neo-Nazi crap on his WGT app. He shouldn’t have had to make it in the first place, but this is the world we are living in right now.

So what do?

We don’t go to WGT because we’re tired of that crap and do not want to put money there. It’s not even that someone books a Nazi band in Sachsen, that happens all the time. It’s rather the jarring indifference of the the scene, audience and artists alike. We very much understand that not going isn’t a good option for other people. But if you’re not indifferent as a festival goer and are just wondering what you actually can do about this, we have a few ideas.

Proves that parts of the goth subculture are still apathetic as hell. This shouldn’t come as a surprise because the same shit was happening over thirty years ago.

First off: share this information. This is not for the fame and follows, but certainly it would be helpful to let people know. WGT deems itself “unpolitical” in the sense that it doesn’t want to discuss politics. This does not apply to us. The goth scene is not discussing these things enough – we assumed everyone knew, but judging from the amount of very concerned DMs we got, that’s not the case. As mentioned in the intro, on some of this stuff we couldn’t even find sources in English. Feel free to share any of the things we made available or use them as a reference. If you do decide not to go to WGT, and people ask why you’re staying home, tell them why.

Please share the article, because more English speakers do indeed need to learn about this.

Inform yourself about how to spot a neo-nazi, which symbols and dogwhistles are in circulation etc, so you can act on it if you see them.

A link all about the symbols and groups is further down..

If you’re an artist and WGT tries to book you, we understand that this is a good career opportunity for you and it’s difficult to say no. Please consider that being on a stage gives you a platform, and you can use that platform to make a statement. Nobody said your performance can’t include some educational content or that you can’t curate your audience by telling certain people to leave. Nobody said you can’t do a diss track. Nobody said you can’t publicly stand up for something.

I wish more bands would speak out while on stage.

Make it uncomfortable to be a neo-nazi or to be in close proximity to them. Leave the situation or conversation and tell people why. If you feel up for it, you can confront people directly, but only do this if you feel it’s safe for you to do so, and remember you don’t owe these people a debate about their batshit ideas. In Germany, you can actually call the police if you see a suspicious symbol. There’s a good chance the symbol is illegal or restricted and you don’t even have to be there while the cops sort it out.

Good advice. Some neo-Nazis are very violent so if you are going to confront one in person make sure you have friends with you who will back you up.

Here is a comprehensive list of right-wing groups and symbols that are illegal in Germany.

You will possibly find more familiar stuff in there than you would like.

Contact any organisation that allows this stuff on its premises and demand an explanation and apology for why it is there. Demand that they correct the situation. You can write them an email or call them out publicly, whatever suits your comfort level. Again, if you feel safe, you can ask people at the festival directly.

This is so important. If people do not confront neo-Nazis they feel safe which is something that should never be allowed to happen.

Be however informed that people criticising WGT are reported to have lost access to festival accreditation over it before, so if you are a journalist or photographer, keep this in mind.

I don’t give a shit since I will never go to it. Plus, calling out neo-Nazis is more important than going to a festival. Especially when the festival is allowing neo-Nazis on stage and in booths.

“People like us need to stop fuelling dystopias only because we grew up loving its aesthetics.”

Marco Visconti distilled it all down to this one very handy statement. It is not wise to help make negative expectation and dystopian outlooks a reality. Not on an individual, not on a sociocultural or political level. While this is a different and pretty complex issue that can be addressed another time: our stories and images matter. Our relationship to them matters and it shapes out reality. We hope this resource will help you to navigate all this for yourself and will help you to take charge if you feel you should.

From the title of this blog you know I love dystopian and post-apocalyptic media, however I would never support neo-Nazi crap. Plague? Sure. Earthquakes? Sure. Space alien invasion? Sure. Neo-Nazi crap? Hell no!

I hope sharing this article has helped people learn the truth as to what is really going down at WGT. Please share this or the article itself so that people can make an informed decision as to whether they want to go next year or not.

In Which I Answer Some Basic Goth Questions For The Masses

December 7, 2022 / dystopiagal / 0 Comments

For whatever reason there are tons of people right now asking the same basic questions about the goth subculture. Who am I kidding, we know exactly why so many questions are being asked right now; being ‘goth’ is a huge trend train that lots of people who have no clue about the actual subculture want to jump on. All of these questions are ones that I have seen asked online over and over and over again. So they are real, not anything I have made up. All aboard!

Am I goth if I wear the colour black?

No, because the goth subculture doesn’t own the colour. Plenty of people outside of the subculture also wear black, such as metalheads, priests, nuns, etc… Go forth and wear all of the black you want, nobody should be stopping you for doing so. However, it doesn’t magically transport you into the goth subculture or make you a member of it. It’s a music based subculture, not one based upon the colour of clothes that you wear.

What clothes do I have to buy and what music do I have to listen to in order to be a Victorian/vampire/trad/cyber/mall goth?

This is the one question that really gets my knickers in a twist. Those ‘goth types’ were started as a joke in the 90’s, making fun of the stereotypes found in goth clubs. That is all it was meant to be, it wasn’t meant to be a roadmap as to how to belong to the subculture. There are some self described ‘elder goths’ who have actually argued with me about this, saying that people used to take it seriously back in the day. No they did not. In the area that I lived during the 90’s somebody even made stickers based on the stereotypes and I found some in a vending machine in a Pizza Hut in San Francisco in 1998. I only remember that because I was the assistant manager of a Spirit Halloween store during that time and would always get pizza for lunch. If you want to tick all of the boxes off to become a certain stereotype within the subculture nobody is going to stop you but you will get a massive amount of eye rolling. Instead of wanting to be a stereotype just be yourself. Announcing to the world that you want to be a certain type of goth is never a great look.

Do I have to listen to only goth music to be a goth?

Of course not. The only group of people in the goth community who have ever believed that are the uber goobers, who have always been boring as hell. I listen to goth, metal, thrash, punk, disco, 70’s/80’s soul, old school rap/hip-hop, classical, new wave, blues,etc… I have always been into multiple forms of music and I have no shame in admitting it. Goth music has many styles, such as deathrock, goth rock, darkwave, ethereal and cold wave. If you try out each style and don’t like any of them you are more than likely just darkly inclined and there is nothing wrong with that. If this pisses you off then you should be asking yourself why is being goth so important to you and as to why you want that label so much in the first place.

Do I have to buy clothes from expensive online dark alternative stores to be a goth?

The answer to that is a huge no! There are a bunch of younger people running around right now looking like wannabe witches and slamming onto the gates guarding the goth community wanting in even though they don’t listen to the music. It is a music based subculture not one that is totally based on how you look. The people saying otherwise are straight up liars. If you are starting out just buy black basic clothes from a regular store, or even a thrift store, and get some accessories off of Etsy to jazz them up. Some regular stores, such as New Look in the UK, are known for carrying some goth friendly clothes. Every single time I go to the one near me I walk out with something.

Do I have to buy clothes from thrift stores in order to be a goth?

One of the main ways I used to get clothes back in the 80’s/90’s was by going to thrift stores. I lived in an area that had a lot of good ones so I was very lucky. Where I live now the thrift stores are hard to get to and are very overpriced so I just avoid them. If there are no thrift stores near you, or if they suck where you live, don’t worry about it.

Do I have to learn DIY skills to be a goth?

I have been doing DIY type clothing projects for decades and I am completely self taught. I learned to hand sew back in the 80’s and I can hem, dart, add buttons,etc…I have always upcycled clothing. I have even bought Killstar items on clearance in the past and made them look completely different. I can also do stud work and paint on leather/pleather which is a very easy thing to learn. There are a ton of tutorials on YouTube showing you how to do all of these kinds of projects. By learning DIY skills you can curate your own style so that you don’t look exactly the same as everybody else, plus it’s a lot of fun!

Do I have to be skinny and white to be a goth?

This question always breaks my heart. White skinny women and men have always been the go to for the goth aesthetic look that some directors, subculture magazines and others have been pushing since the 80’s. I would say it has only been within the last five years that you see people of colour being more visually represented within the subculture. It should have happened way sooner than that. You do not need to be white or skinny to be a goth. Don’t let anybody tell you otherwise.

Why is metal music not considered goth?

Metal music has historically never been considered goth. One of the main reasons being that metalheads, back in the 80’s, used to threaten and beat the crap out of punks and anybody else who looked ‘alternative’. That includes goths. I personally never got jumped, BUT a whole lot of male metalheads used to give me crap all of the time. Also, the music developed totally separately from it. Goth music developed out of punk, while metal developed out of 60’s rock and psychedelic music. You can, of course, like metal music and goth music at the same time. I have always loved the hell out of early Danzig and even saw them play in 1992.

When and how do I become an elder goth?

An elder goth is considered to be somebody who has been into the music for decades and still supports the subculture in one way or another. I started getting into the music in 1986 and have always been a goth-punk weirdo so I am considered to be an elder goth. I have seen some people around my age who just got into wearing black clothing who claim they are elder goths. Yes, I have personally seen that happen online and I find it really annoying and fake. You can dress in expensive clothing and wear a ton of make-up but just because you are older doesn’t mean you are an elder goth. It takes a decade or two, not a credit card, to be considered one.

How do I become a goth influencer?

This question does my head in. Seriously. Younger people see ‘goth’ influencers online getting a bunch of free swag and want exactly the same. For them it is not about the music, instead it is about curating an image; one in which they think will make them more ‘goth’. Nothing can be further from the truth. I call this the Kardashianization of the goth subculture and it is just gross. Not all goths with a YouTube, or other social media platform, push clothing, but so many do that it just becomes a blurry mess of pentacles, platform boots and loads of over the top make-up. They give the impression that all goths dress to the nines every single day, when in fact we don’t. I’m laying around in my Star Wars pyjamas right now typing this.

Do I have to dye my hair, or get tattoos and piercings to be considered goth?

Sometimes it trips me out just how ‘in’ it is these days to get tattoos, piercings and bright hair colours. All three have become totally mainstreamed so you won’t really look ‘different’ doing so. You don’t have to do any of this to be goth because it is just window dressing. These days if you see somebody dressed in all black with green hair walking down the street chances are you won’t have anything in common with them because they are just following a trend. It’s sad but it’s the truth.

Well, that is it for now. Whomever you are I hope this helps you on your journey into the goth subculture or at least points you in the right direction. Always be you, not a stereotype that you think people want to see.

The Sick New World Festival Has Booked She Wants Revenge, A Band That Includes Known Sexual Predators

November 8, 2022 / dystopiagal / 0 Comments

Sexual predators, wannabe goth bands and shit nu metal…oh my!

Before I start I would like to state for the record that I do actually like some of the bands featured above; Killing Joke, Body Count and some others. However, it’s on another continent than me and I tend not to go to shows where known sexual predator musicians are being featured. Just wanted to get that out there in case somebody thinks I’m being hypocritical about all of this.

Anyways! There sure seems to be a lot of new ‘alternative’ type festivals going on these days, mostly put together by the mainstream music industry. The above band line-up is so chaotic that it feels like they put a bunch of alternative band names in a hat and picked them out randomly. There is a whole lot of ‘I remember this band being edgy in the 90’s’ vibe going on here. Nevermind the fact that general admission tickets start out at $250.00. That is an insane price to pay for a one day event. It’s obvious that it is all about the Benjamins and not the actual music. Remember, all of the kids want to be goths or alternative these days so the people who put this together are counting on that to make a pile of cash.

EDIT: Just found out that it is being put on by Live Nation. No surprise there folks. They want your hard earned cash, and if women get sexually assaulted by musicians performing there so be it.

Screenshot I took of when post punk dot com featured the band a little while back. They only took it down when a bunch of people, including myself, complained. They can never deny that it happened.

There is one more thing even more messed up than all of the stuff I have already mentioned; they put known sexual predators She Wants Revenge on the bill. This article by The Los Angeles Times is the most complete as to detailing what went down exactly at the club Cloak & Dagger, a space both members of the band ran until it was shut down due to public pressure in 2021. They broke up for a time, but are now back together being covered by such problematic websites as post punk dot com. I’m guessing they handed the site a huge wad of cash to feature them, since that is what they do to the majority of the bands featured on their site. I guess money is more important than protecting the lives of women. Go figure.

The only way that any of these mainstream produced festivals are going to change is if people stop going to them. Cruel World featured Morrissey, a racist windbag. This one features She Wants Revenge, a pair of sexual predators. People will crow online all about how black lives matter and how woman should be treated with respect, but will turn around and go see bands who are the antithesis of what they claim to believe.

The end.

My All Time Favourite Glenn Danzig Songs

September 12, 2022 / dystopiagal / 0 Comments

The man, the myth, the legend. *fans herself*

I have loved The Misfits, Samhain and the original line-up of Danzig for about thirty-two years. Yes, I am that old. I even saw the original Danzig line-up perform in San Francisco in October of 1992 and it still holds up as the best show I have ever been to. This is all to say that I have always seriously loved the music of Glenn Danzig.

My all time favourite album is November Coming Fire by Samhain. I love it so much that I finally sought out and bought a mint condition first edition US vinyl pressing of it. I got it the other year for only about £140.00 so I know I am a lucky bitch. Early Danzig is my next favourite era followed by the original Misfits. No, I haven’t been to any of the Glenn fronted Misfits reunion shows, mainly because I now live in Europe. However, if the original Danzig line-up ever tours I would fly to New York, Philly or even Boston for that. Just saying.

Here are my all time favourite songs from each band. I enjoy sharing music so I hope that you find something that you really like and connect with.

The Misfits – Bloodfeast

Samhain – To Walk The Night

Danzig – Godless

The Misfits – Hybrid Moments

Samhain – I Am Misery

Danzig – Mother

The Misfits – Horror Hotel

Samhain – Archangel

Danzig – Tired Of Being Alive

The Misfits – Last Caress

Samhain – Unholy Passion

Danzig – Am I Demon

The Misfits – Vampira

Samhain – Halloween II

Danzig – Left Hand Black

The Misfits – Astro Zombies

Samhain – Moribund

Danzig – 777

Misfits – London Dungeon

Samhain – Mother Of Mercy

Danzig – Long Way Back From Hell

Concert Review: Christian Death At The Underworld In London 31/08/22

September 2, 2022 / dystopiagal / 0 Comments

Going to this show was kind of like a pilgrimage for me because I had not seen the band live for about 25 years. This was due to a combination of living in places were bands generally don’t stop at and being perpetually broke. I saw them live twice in the 90’s when I lived in the San Francisco Bay Area so I at least got to see them perform before. I know how lucky I was. I currently live in the UK Channel Islands, which is far from just about everything. This means to see shows in England I have to fly into London, which isn’t exactly cheap. So for me to see a show there I have to really, really, really, etc.. be a huge fan of the band I am flying to see. Just saying this so that you know the viewpoint I am coming from; I am a huge fan of the band. I was diagnosed with MS about five years ago and I decided that I needed to see them again because I have no idea how physically screwed up I’m going to be in the future.

My husband and I were in the front of the line to get in, of course, and I met some very cool people and had some really good conversations about the band, the current state of goth music, the Dead Kennedys, Samhain and other subjects. I have forgotten their names because I suck in general at remembering such things so please do not be mad at me if you guys are reading this. You guys were awesome and it was very cool connecting with other people at a show.

The first band up was a duo named the West Wickhams who played a minimalist type of music consisting of guitar, a drum machine and some synth manipulation. I have to be honest, I am not the hugest fan of this type of goth music. However, the guitarist/singer was so earnest that they had me tapping my feet. That actually counts for a lot when you see bands live because you can instantly tell that they are really into performing their music and that they want you to go down a road of discovery with them. I hope that they keep at it and continue to do shows because their lyrics were really good.

Ghost Dance was up next and they were very energetic and looked like they were having fun. I only knew a few songs by them but they had me up from my seat and dancing, holding the railing for safety because my right ankle tends to give out on me. Anne Marie looked like she was having a great time and she interacted with the audience a bunch as evidenced by the photo above. She had some tech issues with her mic during the first song but that was sorted out and didn’t affect the performance at all. Their last song was Promised Land, which was a song that she originally performed with her earlier band Skeletal Family. I totally wasn’t expecting that so it was very cool hearing it performed live. Their performance was very good and if you have a chance to see them go for it because you will have a good time and not be disappointed.

Up next was Christian Death. Before they went on they had issues trying to set up their video on the screen that would be shown behind them. They ended up just removing the screen, which in the end didn’t really matter because their performance would have been great with or without it. I love their new album Evil Becomes Rule and they pretty much played the entire thing. The first two times I saw them there wasn’t a second guitarist so it was very cool getting to see both Maitri and Valor concentrate more on their parts within the songs. It enabled Maitri to put more emotion into singing songs such as Beautiful and it really showed off her vocals to a degree that I had never heard live before. In other words she was totally on fire during the show and she was more front and center than usual.

Valor also put on a really good performance because he got to concentrate on his singing and playing rhythm guitar instead of stretching himself too thin by playing lead guitar constantly. That is not to say that he didn’t play lead guitar at all, it just allowed him more of a choice as to what parts he wanted to perform. He has always been an excellent guitarist so I have absolutely no complaints about his playing at all. He even played some acoustic guitar which was very cool. Their other guitarist was Chuck Lenihan who also did an excellent job, along with their new drummer.

When you go to a Christian Death show you know that you are going to hear Valor railing against politicians, religion and the British royal family, and this show was no different. I actually really appreciate that side of his performance because too few musicians are using their platforms to say such things. He has always been outspoken and it is one of the reasons why I have always loved the band. It harkens back to how political punk was in the 80’s and it really shows the connection that he has always had with that music and subculture.

After they were done with playing the album they dove straight into Forgiven, This Glass House and then Sick Of Love. The audience was bouncing all over the place and there was such energy that you couldn’t help but join in. The audience was part of the reason that the show was so good. You could tell that all of them were into the music, and it was very awesome to see some teenagers in the audience also having a great time.

This next part still has me tripping out so please forgive me if I babble a bit about it and get disjointed. After Sick Of Love they left the stage for about five minutes and then came back out for an encore. I was very near the left hand side of the stage which was on the same level above the crowd. When Maitri came out she made a beeline towards me to the other side of the railing and asked if I was Megan. I responded that yes I was and she told me to come around the railing and get on stage with them. I was so surprised that I forgot my walking stick. I told her when I went around the curtain to the stage that I might fall and she said not to worry and reassured me that I would be okay. That relaxed me a bit which helped with my nervousness and it was a very sweet thing for her to say. I stood next to her while she told the crowd that I flew in from Guernsey; that I was a very supportive fan who defended them online and that I was very much appreciated for what I was doing for the band.

As you can well imagine by this point I was borderline teary but then something really astonishing happened. They announced that because of all of this I was going to get to join them in singing This Is Heresy as their encore. Holy shit! HOLY SHIT!!! I am not the greatest singer but by golly I belted my heart out! There were parts that I just let Valor sing because I previously knew that in live performances he sometimes goes off pace. However, by the last part of the song I was yelling ‘Soaked in the blood of men, not the body of Christ!’. After the end I gave them hugs, exited the stage and went to the merch area to wait for them there because they told the audience that they would come out for photos and autographs. Sure enough they did. My husband took a video on his camera of all of this, so once he figures out how to transfer it to me I will upload it in a new post.

I cannot overstate how much of a sweetheart Maitri is. She thanked me yet again, we got some more hugs in and I left her side just insanely happy knowing that I was able to make a difference as to how she is perceived as a musician.

Valor was absolutely no different. He is also a very nice and friendly person. We got to talking and I asked him if he had ever met Jello Biafra back in the early 80’s because there was a whole lot of cross pollination when it came to punk/deathrock type bands between San Francisco and Los Angeles during that time. Sure enough he told me about a car trip he took back then with Jello to San Francisco from Los Angeles. It made perfect sense since as songwriters they both write songs about pretty much the same topics. I mentioned Jello to Valor because him and Jello are the two lyricists who largely made me into who I am today; somebody who heavily questions politicians, religions and other such things. He was very grateful towards me for telling him that, which in turn meant a lot to me. The circle of life.

Without a doubt Valor and Maitri are the nicest musicians I have ever met. That is saying something because I met Henry Rollins over thirty years and he was a very cool person too. They definitely edge Rollins out to take the top spot on my list. If you have a chance to see this band live go for it because you will not be disappointed by their performance or by who they are as human beings.

The Ongoing Saga Of Alex Baker And Post-Punk Dot Com

September 1, 2022 / dystopiagal / 1 Comment

Back in July the website tried to promote the very problematic band She Wants Revenge. Money is more important than the safety of women apparently. It was only taken down when enough of us complained.

I can well imagine that some of you are wondering why I am feeling the need to write out a post about such a peachy-keen site that promotes so many bands within the goth community. Well, sometimes things are not all that they seem to be; scratch the surface and sometimes you will find something very onerous underneath. Since I am not one to shy away from controversy I immediately knew that I has to write about this and tell people the truth as to what kind of website they are actually supporting.

So what kind of website is it and who originally started it? The original founder of post-punk dot com was Joshua Pfeiffer, and he started the site around 2004 to share information about the lesser known goth, post-punk and alternative bands that he was discovering. He couldn’t find a site online that was a repository of information about the music, so he scoured the internet, asked people, interviewed musicians and did a whole lot of independent research to create a site in which he could share his love of the music. He is also a musician and a DJ who has worked with a lot of people within the goth, alternative and punk communities. In other words the site was a work of love for him and the others who also participated in the day to day running of it. He did not do it for the money, and since it started to take more and more of his free time, which he didn’t have much of to begin with, he handed over the site to somebody who promised that they would run it in the same manner; Alex Baker, a promoter who was at the time living in New York.*

Who is Alex Baker? Where do I even begin; should I start off on what he claims he is or what he really is? Here are the basics. Our boy Alex is the son of a famous mainstream record producer. Who? At this point I really don’t care. I only know of this because our little Alex brags about it and shows 80’s photos of his dad with various famous musicians of the decade. I’m going to let Alex tell us what happened next, according to an interview that he gave in 2020.

In 2012 I started the process of taking over Post-Punk.com and relaunching it, which was done in 2014. Prior to this I had been doing event promotions in NYC, at clubs like The Limelight, Pyramid, CBGB’s, Knitting Factory and more, and had also ran a print publication.
Redakce / proti sedi

Funny how he doesn’t mention Joshua Pfeiffer, the person who actually created the site. Relaunching it into what exactly? Why would a website that is there to only share information need to be relaunched? Didn’t he promise that he wouldn’t change the site? Oh dear!

In the same magazine article quoted above he goes into how he moved to Berlin but it got too techno for him so he decided to move to Los Angeles part-time to be closer to all of the post-punk/alternative bands there. Oh, and he can travel to Europe to catch all of the music festivals there too. Needless to say the guy has a serious amount of cash. The kind of cash that you can’t make from running a website or from being a promoter within the subculture. He has to be getting money from his father to afford all of this. I’m not going to put him down for that because plenty of people that receive an inheritance or an annuity aren’t totally self absorbed liars. Rather, it is how he uses his money, or doesn’t, that I would like to have a chat about.

So, we have established that Alex is in no way broke and has a considerable amount of money that allows him to regularly travel to Europe. Since this is the case why does he charge bands for album reviews and always begs for money to support the site?

Let’s tackle the whole pay to play scam first. I know that some of you won’t know what this means, so I’ll explain. Back in the 50’s-70’s it was very common that when a music producer or record label wanted singles played on the radio they would quite often pay the radio stations to play the songs. So, whomever had the most money came up on top. It didn’t matter what they sounded like, as long as the radio stations received the cash they got played. Since I know all about how this pay to play scam works I was a bit shocked to see our little friend Alex pulling this shit right out in the open. Not only does he charge bands money to be reviewed, he also charges them money to get such things as an Instagram boost. As a person who has run my own blogs on and off for almost twenty years I know that you can link your site to your social media accounts so that you don’t have to bother doing it manually. Charging a goth/alternative/post-punk subculture band money for all of this feels as dirty as a rolled up dollar bill on the floor of a bathroom in a goth club. So, who gets the most coverage? Any band that has money. Right now that means all of the Joy Division/Cure clone ‘post-punk’ bands, because the youngsters really dig them and buy a lot of merch and music from them. I’m not knocking all of those bands, but how is it fair to the bands that are broke and trying to get their music out there? It isn’t and it sucks.

I took screen shots of the whole band submission process on post-punk dot com. Come with me on a voyage of greed on the HMS Post-Punk! I will post a photo and explain what you are seeing underneath.

Awwww……how sweet they want to give us high-quality video content. We are pretending we are a band right now so go along with it. We are in hiding.

I just picked that we wanted an article published about us. Why? Because we play good music and are cool. Don’t forget that!

Would we like our music reviewed? Of course we would because we play good music and want people to find out about it. Wouldn’t our review just automatically appear on their Instagram page when they post it onto their site? WHAT!!!!! A ‘contribution’ amount of $150 for them to write a review and create an Instagram post of us? Why should we be contributing any money to a website that was meant to just be a central repository of band information in the first place? Oh wait, that’s right, when our friend Alex took over the site he decided to turn it into something that his daddy would be proud of; a mainstream endorsed music website that is all about the cash and who you know, rather than simply being about the music. I have even heard talk from different people who ‘know’ that Alex is also only allowing bands on the site that he deems ‘attractive’, that they need to have a certain ‘look’.

This doesn’t stop out dear Alex from regularly asking for yet more money to run the site, even though the dude is loaded. So, not only is he a liar he is money hungry as well.

Awww….look at Alex. He’s started a fundraiser for the site even though he is charging for reviews AND is loaded.

He even tried to crowdfund over £20,000 to start a print magazine, and it failed. Finally some good news.

What is the real reason behind why he took over the website in the first place? He wants the power and clout that owning a popular site within the subculture gives him. He wants to be the person that the mainstream music press goes to when they want their questions about goth/post-punk music answered. He wants to be the person who appears on podcast shows talking about the bands that he ‘discovered’. He wants his head up on a post-punk Mt. Rushmore sandwiched between Ian Curtis and Peter Hook. For him this is all a means to an end, with the help of his dad’s money and connections.

The last thing I want to discuss is something that really cracked me up. Since I knew that I was going to be writing this I kind of paid attention to the website’s Facebook page. The other day the below post appeared, and by golly do I have a lot to say about it!

Can you imagine somebody being so out of touch with reality that they would think that posting about the Dead Kennedys would give them some punk cred? Wonder no more because Alex has struck again! This has proven to me that he has never actually ‘listened’ to the Dead Kennedys. Jello Biafra would verbally demolish him because he has ALWAYS been against the mainstream music industry and what they represent. So much so that he wrote a song on the subject called Anarchy For Sale, about how corporations steal ideas and try to sell them back to the subculture that they stole them from in the first place. Sound familiar?

More and more people are whispering about all of this and are genuinely scared to say anything because of the power that he is currently holding over every single musician in the subculture. I have no doubt that Alex really enjoys holding the sword of Damocles above their necks, In fact he probably gets off on it.

I’ve been into goth/alternative/punk music for over 35 years now. Over that time I have witnessed some very egregious shit go down, but I must say that this is the first time I have seen somebody with obvious mainstream ties try to buy their way into the subculture. You can have all of the money in the world, but that won’t make you ‘authentic’. Do you know the people who are actually authentic within the goth/alternative/punk subcultures? The people who actually ‘listen’ to the music and love it for what it is; not for some perceived clout. They can be broke as hell and dress in clothes they got from Walmart but because they actually ‘listen’ to the music that will always make them more authentic than our boy Alex will ever be.

I was originally going to make that last paragraph the end of this article but since little Alex seems to love posting about the Dead Kennedys without actually ‘listening’ to them I thought I would help him out. These are all of the songs from their album Bedtime For Democracy that really fit into this entire situation quite well! Remember, these songs are just from one of their albums. Enjoy Alex!

Anarchy For Sale (1986)

Chickenshit Conformist (1986)

Hop With The Jet Set (1986)

Macho Insecurity (1986)

I Spy (1986)

*I’m now told that Alex actually bought the site in an auction when Joshua couldn’t afford the website any longer. Alex still ruined the site, so this doesn’t make any real difference.

Who Bought Killstar A Few Years Ago And Why Does Killstar Refuse To Share This Information?

August 12, 2022 / dystopiagal / 3 Comments

Obvious venture capitalist is obvious on Killstar’s linkedin page.

EDIT: Since I wrote this I have come to find out that they didn’t buy the company, instead they bought a controlling stake in it. :EDIT When a company is sold they usually publicly announce it and proudly present the new owners to the world. This is mostly done to reassure customers that nothing within the company will change and that things will go on as normal. However, in the case of Killstar they repeatedly refuse to share this information. How do I know this? Because I have been asking them about this all over social media for over a year now and I haven’t had a single response. Go figure.

I think the prime reason why they refuse to even discuss this is because they have something very big to hide. This, of course, has caused me to dig deeper and I am quite proud to say that I have finally figured out the truth! No joke, I am 100% certain that I have found out who bought the company; BERTRAM CAPITAL, a private equity firm.

Here is Tom again on the Bertram Capital linkedin page.

What is a private equity firm, and why did they not share this information with the public? Per Wikipedia: ‘Private-equity firms, with their investors, will acquire a controlling or substantial minority position in a company and then look to maximize the value of that investment.’ In other words Bertram Capital bought Killstar to milk the brand and to make a lot of money for their investors. That’s it. They know that if this information is brought forward that the brand won’t be seen as ‘alternative’ and will lose credibility.

The results of all of this are very apparent through the recent actions of Killstar itself; very frequent new ‘drops’, expensive prices, and the low quality of the merchandise. However, it seems like things may not be working out well for them since they are having constant sales. They lost their core customers and are scrambling to try to get them back through all of the discounting. These customers are not being lured back because they see how bad the quality of the clothing has gotten and don’t want to waste their money. It’s an endless circle of badly made ‘drops’ and the sales that automatically follow them. This practice, by the way, is borderline breaking trading standard laws in the UK.

The guy who lead me down the rabbit hole.

How did I find all of this out? By following the trail of somebody who sits on the board of Killstar. They linked themselves on linkedin to Killstar’s page and to Bertram Capital. In other words the link between the two was very obvious and hiding in plain site. Will people stop buying from them once they find out about all of this? I think they will start losing more customers once news of the company’s inauthentic ways spreads far and wide. Others probably won’t give a damn and will buy their goods anyway. Remember, a fool and his money are easily parted.

If any news concerning all of this comes out I will give an update.

EDIT: As of June the 20th 2023 Killstar have let go of their entire design team.

Killstar, Put Down That Crack Pipe.

August 5, 2022 / dystopiagal / 0 Comments

Yes, you are reading that price correctly. Notice the missing cone stud on the edge of the lapel?

I have never made it a secret that I have bought some clearance items from Killstar’s website in the past to use in clothing projects. However, the quality of their items has gone totally downhill within the last year. So much so that I can no longer find items on their site that are fit for purpose. Most, if not all, of their clothing items are now made of really cheap looking polyester that looks the same as the crap fabric that Halloween costumes are usually made of. I have said in the past that I don’t care where you get your clothing from, and that still holds true. However, I do not like people being fleeced. If I see something that is really ‘off’ on a dark alternative clothing site I will tell you about it.

The other day I got a Killstar email, and in it included a link to their new drop. I normally don’t click through their emails because I just read them at this point for the entertainment value. However, I saw a green pillow and on a lark I decided to click through. That in turn took me to the ‘new-in’ page so I started scrolling through that trying to find that damn pillow. To my shock and horror the above studded pleather jacket caught my eye; not because of the spike disaster zones located on it, but because it looks cheap as hell. Again, something that you would find in the ‘punk/goth’ section of a Spirit Halloween store.

The older Killstar pleather jacket that I own. I did the painting and studding.

I have an older pleather jacket by them that is thick and of a pretty good quality, so I am not totally against pleather. This jacket is an entirely different story. First off is the damn price; they are charging £299.99 for this badly made excuse for a pleather jacket. Yep, that much. The pleather material looks very thin and very cheap and it’s easy to tell that because of the way it doesn’t flatter the model at all. It hangs on her all wrong and she looks awkward as hell in it. If a model can’t make it work the chances of you making it work are about zero. It will look good on nobody.

This next part really cracked me up. As I stated right below the photo one of the cone studs is missing off of the edge of the lapel. It looks like a plastic screw, whose cone snapped off…and they didn’t even notice. Using plastic screws instead of metal ones on those cone studs? They will probably easily snap off if you accidentality brush up against anything. Even worse than that is that the lapels and larger areas of cones on the arms are from rolls of pre-studded pleather. I have seen such pre-studded pleather material online before so this isn’t totally shocking, but the pure audacity to charge that much for a jacket that wasn’t even completely hand studded is really outrageous to say the least. Nevermind the fact that they are claiming they are metal studs, when it fact the screws are plastic. Are the cones plastic also? I honestly can’t tell. Also, the lapels don’t even have snaps on them to hold them down against the jacket. I’m guessing because of the pre-studded material being used. It’s just generally constructed very badly and it shows.

As of me writing this they are having a 30% off sale on everything on the site, including their new items. That brings down the jacket to just over £200, which is still very overpriced. Killstar seems to be in financial trouble because of the constant sales they have been having. Not a week goes by without some sort of deep discount. This is not the sign of a company that is doing financially well. The venture capitalists who bought it a few years ago keep cranking out new ‘drops’, and have made the brand into a fast fashion label.

If you read this blog you know that I do a lot of DIY projects that involve studding. You can do it too! Honest! I believe in you! If you have to buy a pre-studded jacket please buy one from an independent creator on Etsy, because you deserve better quality than what Killstar is trying to sell you.

I Have Been Working On Another Denim Jacket

June 4, 2022 / dystopiagal / 0 Comments

Over the last month or two I have working on yet another denim jacket. This one has no theme and is just a collection of films, bands and other things I am a huge fan of.

I bought this plain black denim jacket from New look, mostly because their denim is pretty good for the price and won’t fall apart after a few weeks of wear. The photo above is of the jacket after I did some bleach work to it. I wanted it to look like something dripped onto it and I am very happy with the results. Remember, not all black clothing looks the same when bleached. Another brand might turn out orange.

The first thing I did after the bleach work was create a hole and sew some neon green fishnet behind it. I wanted all sorts of colours involved because it just makes the jacket look more realistic and wasteland based, rather than something that looks ready-made and too perfect. After that was done I studded black and purple pyramids all along near the bottom of the jacket ending at the front. I went with those colours because I have heavily relied on green and black on my two other jackets. I just wanted something different. Lastly, I cut the ruffle off of a blouse I have never worn and I sewed it onto the jacket below the studs. I roughed up the ruffles with some sandpaper, which created some holes and wear and tear.

The next step I took was trying to figure out patch placement. I hung the jacket in a doorway so that I could look at it all day and it really, really helped me. Safety pins held them in place while sewing them on with green thread. I used the green thread because it made the patches stand out more, and again it is more realistic when it comes to the wasteland. If some of them go on crooked that just makes it look more DIY, which I am perfectly happy with. Out in the wasteland you will use whatever you can find.

Since I have created my own post-apocalyptic/dystopian aesthetic I can make up my own rules as I go along. Which is something that is fun as hell. I will give another update once I am done with the front.

Fun With DIY: Cutting Patterns Out Of A Skirt

May 31, 2022 / dystopiagal / 0 Comments

These skulls are pretty awesome I must say.

Sometimes you order clearance items off of a site and they don’t fit. What do you do with them? Send them back, sell them, or better yet would you keep them for a future project just in case?

You guessed it, I am a bit of a pack rat. However, saving such pieces of clothing can come in handy. Such is the case with this Hell Bunny skirt. It’s a winter themed skirt but the skulls themselves look both spooky and cute at the same time. Which means they would be a perfect addition as a patch on a jacket or as a trim on a skirt.

I took a pair of fabric scissors and cut out a strip of the skulls, and then I cut out some of the skulls individually. They can be used as patches on a jacket or a hoodie, and the long strip of them could possibly become a trim for something else. You can do this sort of thing with any patterned type material. See a pattern that you love on a piece of sale clothing that you would otherwise never wear? Buy it, and then Frankenstein it to piece of clothing that you would wear.

Never feel discouraged if things don’t go your way at first because every single person who does DIY type projects has been through the same things. Nobody starts out knowing everything and that is okay. You will go through a bit of trial and error but in the end you will have something that is unique to you and that is very peachy-keen.