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Category: Music Review

Reviews Of Newish Albums: Volume 1

I usually don’t do masses of album reviews on here because there are a lot of people online who do it very well. I bought a ton of music on the latest Bandcamp Friday so I thought I would share these finds with you. I am only going to do two newish albums at a time because I like to listen to albums more than once before I talk about them. If I have bought more than one album from an artist I will touch upon those older albums sometime in the future.

OKVLTA – en Las enttranas de la bestia

OKVLTA is a band from Colombia that performs in Spanish. This is a good example as to why you don’t need to always know the lyrics of an album, because the intonation of the singing tells you exactly what is going on. They are a heavy deathrock style band with some pounding tribal drumming and experimental guitar playing. This album for me is the love-child of Sex Gang Children and 45 Grave. The vocals are sinisterly happy while the guitars echoing in the background set a driving pace along with the bass and drums. This album is best enjoyed if you listen to all of it at once rather than to just one song, because each one musically feels like it’s telling you a story that takes you to the next chapter. This is their first album and I can’t wait to see what they come up with next.

https://okvlta.bandcamp.com/album/en-las-entra-as-de-la-bestia

Postmodern Dystopia – Suzi Sabotage

Electronic music with a background of synthwave sounding keyboards: the title of this album fits the music perfectly. ‘Tonight we rise and see their demise’ lyrics on Persona Non Grata are very political and represents what is going on right now in society. Very timely. It’s cool that she is taking a stand against the fascist crap that is going on. There are a lot of bands right now who try to sound 80’s retro but she owns it by the synthwave angle and the lyrics. The song Frenzy includes the lyrics ‘We are the wild things with violent mood swings’, and it sounds like it should be playing in a club in the film Blade Runner. This album, essentially, is a soundtrack for the dystopian times in which we are living in. She also touches on the covid pandemic, the environment and the BLM movement. This is one of the most political goth albums to come out this year and it deserves a place alongside Sex Gang Children’s Oligarch and The Joy Thieves’ American Parasite.

https://suzisabotage.bandcamp.com/album/postmodern-dystopia

Nazi Goths Fuck Off — Suzi Sabotage

This is a single that Suzi has just put out and it rocks for all of the right reasons! It’s a political statement against all of the neo-nazi type people who have been trying to infiltrate the goth subculture lately. They have been coming out of the woodwork and this song tackles it.

https://suzisabotage.bandcamp.com/track/nazi-goths-fuck-off

I found a Spooky Band Called Fright Night Club And I’m Excited!

Their newest album.

I went down a rabbit hole on Bandcamp last night, and to my surprise I found a band that performs spooky Halloween music called Fright Night Club. Being a huge fan of Nox Arcana I got really excited because I think it’s great that another band is creating unsettling music.

They perform both instrumental and original songs. Some albums are filled with instrumentals, while others are packed with original songs about monsters, horror movies,etc… There are even a few cover songs which is pretty cool! I am currently listening to their album called Creepshow: Re-Scared, which as you can guess from the title is full of sonic landscapes that flesh out the scenes in the film Creepshow. It’s seriously good stuff! I love listening to this kind of music while writing because it gets me in the mood so that I feel extra spooky!

This band has a ton of people contributing songs to the albums, so it is a collective; a spooky version of a band such as The Joy Thieves. I honestly don’t know who the people listed are, but I am betting that at least a few of them are goth or horror-punk musicians. They put out one album every year and also some separately themed albums . They take an obvious cue from John Carpenter, which can only be a good thing! There are lots of keyboards and guitar mixed together which makes for a spooky unsettling journey through a horror filled landscape.

I seriously love this band, as you can tell. Surprisingly all of their albums, save one, are free to download off of Bandcamp. Sit down, because this next part is a bit shocking. There are NINETEEN of them! Their newest one titled Sounds Of The Season Part II, which was released last year, is a name your price album.

So, get your spooky behind over to Bandcamp and check this band out! It’s great spooky music to listen to all year, and to scare the kiddies with during Halloween.

Music Review: The Cult Sounds – Death Of A Star

It’s no secret that I love the darker side of deathrock with a passion. With that being said Death Of A Star majorly scratches that itch. I can hear the influences of Samhain, TSOL, Son Of Sam and early Danzig on this record, and yet it has it’s own sound going on. It’s unabashedly heavy, layered with metal infused guitar, heavy bass, sinister keyboards and great lyrics. I love the hell out of this album.

What really stands out to me while listening to this album is the fact that it doesn’t sound like an atypical darker deathrock band trying to outright imitate the music of Glenn Danzig. A whole lot of bands do that and it becomes very tiring. I highly appreciate the fact that The Cult Sounds takes their music further into their own direction, rather than being lazy. It’s proof that it is still possible to make wholly original music within the genre.

Enclose Nacht, the first song really sets up the rest of the album well. It’s sparse landscape and chilling circus sounding keyboards lets you immediately know that you are in for a dark ride through a land of death and isolation. The next song 13 Candles is a banger that pushes you down that road. The journey is then filled with darkly created musical landscapes; the heavy crunchy guitars of Afterlife and the brooding atmosphere of The Avalanche.

While I love all of the songs my favourite has got to be Death Has A Name. Quite honestly it’s one of the better darker deathrock songs that I’ve heard in a very long time. It’s got a bit of that Jon Christ blues infused metal guitar style which gives it a sinister air that takes it to another level. There are heavy synths through the whole song that only add to the foreboding nature of it. There are two lines, in particular that I think are brilliant.

Death has a name and it’s yours,
Use my bones to build your body

That just conjures all sorts of feelings and thoughts in my mind. All of the lyrics on this album are really good, and don’t rely on the typical gimmicks that some deathrock bands use. I really appreciate the effort that the band put into creating this album. I have a feeling that The Death Of A Star is going to be on my ‘best of’ list for this year. If you love deathrock that is darker in nature then you will really enjoy this album.

There is no set release date for this album yet, but I will announce it here on the blog when the time comes.

 

Music Review: David Long & Shane O’Neill – Moll and Zeis

I don’t normally do music reviews, mainly because it’s kind of daunting since there is so much good music being made right now. However, I have decided that I could make it less difficult if I only review albums that I really connect with on a deeper level.

For those of you who don’t know who these two musicians are here is a rundown. They have been friends since childhood and were briefly in a band called Amuse before they set out on their own paths. David Long used to be in the Irish 80’s post-punk band Into Paradise, and Shane O’Neill used to be in the Irish 80’s post-punk band Blue In Heaven. They have collaborated before on the album Supernaught. I can honestly say that Shane is one of the most down to earth musicians I have ever had contact with, and I think its cool as hell that the both of them are still actively making music instead of only relying on their past output. Moving forward instead of living in the past.

When I first listened to this it struck me as sounding ‘dreamy’. Meaning that the guitar, bass and keyboards moved here and there in the songs in a smooth motion instead of in jagged breaks. It instantly reminds me of the more rhythmic albums by Lycia which can only be a good thing. The guitar in the songs tends to have some reverb while the bass is more straight forward and linear. It’s a nice contrast that really works well and it helps bring everything together. Musically this album fits into an indie box, but not strictly as there are definitely some touches of post-punk and even a little bit of ethereal goth thrown in for good measure.

The lyrics on this album are gorgeous. I’ve always been attracted to bands whose lyrics are on a level playing field with their instrumentation, and this album is a good example of that. My favourite lines have to be from the song Far From Home.

You said I was strong, and I would never break
It’s not that easy, it’s not a choice that you make
That day when the trucks arrived, I knew I had to leave
Never saw what life could be and it brought me to my knees
Makes me scared for what’s coming
Makes me scared for what’s coming
now

I burnt your name on my skin to remind me
Walk the roads far from home far behind me
Do you still remember me?
I’m not sure if i remember you
I have got, nothing that I need

Moll & Zeis is available right now on Bandcamp. As an added bonus the lyrics are also on there, which I wish more bands would do.

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