First, let me start out by saying that I am not going to name a single wannabe 80’s modern post-punk band in this post. So, if you are looking for some spicy drama you ain’t going to find it here. If you are a person who has been trying to find new music in the modern post-punk genre you will know exactly what I am talking about. Same thing applies if you are trying to find good goth bands since the line between the genres is very blurred right now. Suffice it to say that this issue is very out in the open for anybody to easily observe.
In music there are always trend trains that some musicians want to jump on because they think it will bring them more attention. For the last few years the 1980’s have been very popular with teens and those who actually don’t remember the decade. It’s a nostalgia trip down memory lane based partially on the music that they think was popular at that time. Joy Division being featured on Stranger Things is a prime example of this. However, what these people don’t realise is that Joy Division actually wasn’t that well known back then. Chicks with huge perms and wearing neon workout gear were not Jazzercising to Joy Division. Trust me. I had a gym class back then that made us Jazzercise to Wham. Yeah, that’s right, most people back then listened to really corny pop music.
What these trend jumpers don’t understand is that not every single ‘post-punk’ band in the 80’s sounded the same. They weren’t all copying Joy Division and many had their own sound going on. Back then you could listen to the radio or a mix-tape and know what bands were being played just by their sound. Instead of trying to sound different from one another many of these modern self described ‘post-punk’ bands think that they have to lift Peter Hook’s bass riffs in order to be included in the genre. I am not saying that every single one of the modern post-punk bands does this, but enough do it to the point that it has become tedious having to wade through an endless number of clones to find bands that have the creativity to actually mix the now stereotypical sound with the music of other subgenres.
All of this has gotten the point in which people ask in online goth communities about how to start a post-punk band and how to copy the sound. I always tell people to create their own sound because there are way too many clone bands around right now. I think it takes a lot of creativity to start a band, however that creativity is thrown out of the window when the musicians in a band play the same bass and guitar riffs as Joy Division.
BE YOURSELF, NOT SOMEBODY THAT YOU THINK YOU HAVE TO BE IN ORDER TO ‘FIT IN’ !!!!! Screw fitting in. Screw music trends. Do you know what is going to happen? If the music industry tries to mainstream the goth subculture yet again I guarantee that they are going to sign these wannabe 80’s post-punk bands. Why? Because they are safe sounding and don’t challenge the listener in any way, shape or form. I was around in the SF Bay Area when pop-punk reared its ugly head, and tons of non threatening bands got signed to major labels. What is happening right now is very similar. Meaning that a more mainstream commercial type sound is being popularized and being promoted as being ‘different’ right now, when in fact it’s about as challenging as eating a bowl of cornflakes.
The first time I ever heard TSOL’s music was when I was at a friend’s house watching the early 80’s punk film Suburbia. I’m pretty sure it was in late 1989 because I remember being just out of high school. Watching Suburbia was a right of passage if you were any kind of weirdo back then.
I love the film because there were some parts of it that were very relatable, such as metalheads, and other general assholes, who would give you shit even though you were just walking down the street, or shopping, minding your own business. Sure, the acting is pretty atrocious, but that is what makes it a cool film. Most of the actors were actual punks so they looked and acted more real than say the people in Return Of The Living Dead. Also love that film but one of the reasons why it’s so funny is because of the shit they got wrong in it.
With all of that being said the scene that really pulled me into the film and got to me on a deeper level was when TSOL took the stage at the club and started singing Darker My Love. At that time I was already listening to goth and punk music and that song spun the genres together into a sound that really hit me hard in a good way. I’m not going to lie, Jack Grisham was also really easy on the eyes! That same week I bought the soundtrack of the film, Dance With Me and Beneath The Shadows. Needless to say I was hooked. Watch it below.
The only sad aspect to all of this was by the time I discovered them Jack had left the band and without his presence they had morphed into a hair metal band; a music genre that I generally disliked. In 1999 the original members sued the hair metal singer for the rights to the band name, and for the right to perform their older songs. They won, and afterwards started touring again.
In 2001 I had just left my ex-husband so I was somewhat scantily dressed when I went to see them play at The Cactus Club in San Jose. It was a cool venue and I had seen 7 Seconds, Christian Death and some other bands there in the past. When TSOL started playing I was sitting on some stairs that were attached to the left of the stage. I was was only a couple of feet from the band so when Jack complained about the tour bus getting a parking ticket I took some change out of my purse and handed it to him. He gave a sarcastic chuckle, and soon afterwards came the familiar intro to Code Blue. The audience went really nuts and everybody was singing it together. Jack grabbed me and a guy and motioned us to get in front of the mic and sing some of the lines. I don’t have the greatest voice but I knew all of the lines and gave it my all! I had such a blast and after the show I shook Jack’s hand and thanked him. To this day I still smile when I think of that show, because it’s not every day that you get to sing a song about necrophilia with one of your favourite bands!
As you can tell from the title of this blog I love anything post-apcalyptic or dystopian themed. I already have my post-apocalyptic pleather jacket but I felt like I needed something for warmer weather. Hence this jacket was born!!
I first featured this jacket back in November. Due to being constantly tired from MS I didn’t touch it for a while. Thanks to a new med I am taking I have way more energy so that I can finally finish this project. Hooray!
Before I get any deeper into this I would like it to be known that I bought this jacket in the clearance section of Killstar’s website. It cost about £30 and it has grommet work and lacing on the sleeves. I’ve never done grommet work so I thought it would be better for me to purchase this rather than attempt it myself. I definitely could have done the ripping and webbing. However, I have done so much to this jacket that it doesn’t look like it’s from Killstar. I find absolutely nothing wrong with buying clearance items from ‘darkly inclined’ clothing sites and doing DIY projects with them. Not everybody lives near thrift stores or can physically get to them. The people who go on and on about how you have to get everything from thrift stores are full of shit.
Here is the list of things I have done to this jacket.
First thing I did was browse Etsy for post-apocalyptic themed patches. No matter what kind of jacket you want to do you will find associated patches on that site. Personally, I always sew patches on rather than iron them. Mainly because an iron on patch can curl up more easily than one that is sewn. Using a double thread instead of a single one is also advised. Some people use dental floss, but I have never felt the need to do it that way.
I also purchased all of my pins from Etsy. I have more nice enamel pins but they tend to come off more easily than regular pins in my experience. I have way more pins than this but I don’t want the jacket to look too busy. I think jackets look better when they aren’t cluttered.
I used tools to put on the skull studs that adorn the bottom hem of the jacket. Again, I bought the studs and tools on Etsy. Way back when I would use the point of a knife to stud a jacket, but I wouldn’t recommend that! An awl makes it so much more easy. I also have some pyramid and cone studs that I may use on the jacket. In particular some pyramid ones that are the colour of green toxic sludge.
I put large safety pins on either side of the bottom of the jacket and hung some spooky keyrings from them. They are visible in the top photo. I got the keychains off of Etsy, of course. I might put one on the front but haven’t decided yet.
I’ve had a lot of fun working on this jacket and I hope it inspires you. Remember, always work on projects that you like, not what somebody dictates to you. Think for yourself.
Lately there has been a lot of talk about how goth music is political, which in turn would mean that the subculture is political as well. When it comes down to it is the subculture actually politically minded?
Everybody reading this knows that the goth subculture was birthed out of the punk subculture. The punk subculture has always been political to varying degrees. There are famous punk musicians such as Jello Biafra and Dick Lucas who have always talked the talk and walked the walk. When they write songs about supporting equal rights or about how evil corporations are they mean it. They aren’t being political to gain ‘scene’ points, they are being political because they think that speaking against injustices is important and something that must be done.
Do goth bands speak up about injustices? Sometimes, but not as often as their punk cousins. Sex Gang Children have recently put out the most politically charged album that I have ever heard come out from under the goth umbrella. It’s called Oligarch and it speaks up against corporations, religious hypocrisy and fascist politicians. I honestly hope that other goth bands listen to it and are inspired to make their own politically charged art. Christian Death is another band that has openly made politically charged music through the years. Both the Rozz and Valor versions of the band have done this. Then there are modern anarcho deathrock bands such as Mystic Priestess and the Creeping Terrors who make music with a political bent. With one foot in the punk subculture they are carrying on the tradition of speaking up against what is wrong in society.
If you spend any amount of time in online goth communities you will see people ask if they can be right wing and goth at the same time. The goth subculture has always leaned left because of the acceptance of those who society sees as the ‘other’. Are there racists within the subculture? There have always been those in the subculture who think that a person has to be white in order to be goth, which is a load of shit of course. Do some people wear white foundation and try to look as pale as possible? Of course but you don’t have to look like a Victorian ghost to enjoy the music. You don’t have to be a certain weight, a certain colour or dress a certain way to take part in the subculture.
All of this could be called political, but do people in the subculture actually stand up for the rights of others when it comes down to it? I would like to argue that there are some that do, but they are heavily outnumbered by those who talk the talk but don’t walk the walk. The most important thing about being politically minded is standing behind what you say, even if it inconveniences you. A huge example of this are all of the people in the subculture who will be attending the Cruel World festival, even though the person putting it on is a proven homophobe. They will post about how they are for the rights of those who identify as LGBTQ, but they don’t want to be inconvenienced by missing a show. It’s hypocritical to not stand behind what you say.
Back thirty years ago the subculture was largely not political at all. To the point that Nazi skinheads would attend the clubs and nobody would lift a finger to boot them out. Seriously, I witnessed this shit myself. Back then I weighed 100 pounds and I knew that it would be impossible for me to do anything physically about it. However, there were several times back then that I told Nazi skins off because I didn’t like the crap that they were saying. I did all that I could do back then but when it came down to it there were definitely others who just didn’t care. As long as they could dance to their favourite songs everything was hunky dory.
When it comes down to it the goth subculture can be political, but there are many people in it who need to learn to stand up for what they claim to believe in. Supporting the LGBTQ community online is good, but if it is not followed through with some sort of physical action then that support becomes meaningless. Go to marches and events that are against racism and homophobia, and don’t attend events that are put on by racist or homophobic promoters.
I put a link to my last blog post about this whole Cruel World fiasco on multiple band pages and so far London After Midnight has been the only one to respond. It was such a cringe filled response that I made sure to take screen shots of everything, Good thing I did because Sean Brennan, the singer, deleted my post and his responses to it. Does that sound like somebody who is scared that their shit attitude is going to be seen by a whole bunch of people in the goth community? It sure does!
So Phillip Anschutz is an insane bigot but you’ll play the show anyway? Yes, the homophobic prick owns AEG who in turn owns Goldenvoice. Guess what that means? The guy is at the top of a pyramid and all of the money made from festivals such as Cochella and Cruel World is filtered up to him. In the end he is responsible for what happens, so by agreeing to do such a festival you are saying that it’s okay for the top dog to be a homophobe. As long as you gain some fans and some money it’s all good! Right? By golly, don’t you have a set of priorities!
Awwwww………look at all of the whatabouts and gaslighting! I feel like I should give the first part of this response a dog biscuit and a pat on the head for being such a predictable little deflection! No hon, this isn’t about me or Facebook. Rather, it’s all about your shit priorities and your inability to say no to playing a festival that is put on by a known homophobe. That’s it. You are around fifty years old, right? I just turned fifty and through the years I have learned that supporting homophobic creeps is something that a person shouldn’t do, because right wing people will think that being anti-LGBTQ is perfectly fine in the goth/alternative community. Plus, supporting such a person is just plain wrong. It’s only impossible for you to avoid right-wing bigots when you agree to play shows that they promote.
Bullshit. I’ve had people tell me that you used to be very active on Myspace. So, trying to gain credibility by saying that you hate social media is flaccid at best. Here you go again with the whatabouts pointed towards Facebook. What are you going to do once you hit that stage? Complain about how the promoter is a homophobic piece of shit? I really doubt that, because you will be too scared of being banned from playing Goldenvoice shows and venues. How do I know that? By the very fact that your responses are riddled with deflections. Oh, let’s all get together and try to figure out how to fight this? Do you know what would be the first step towards a solution? You not playing the damn show! If you really gave a shit about the LGBTQ community you would refuse to play it. Full stop.
Well, that all folks! I am not going to tell you to like or dislike this band. Judge for yourself how this band has responded to this situation and come to your own conclusions.
Everybody is losing their minds over this festival. It’s the culmination of all of the 80’s worshipping that has been going on for the last ten plus years in society. The fact that PiL and Morrissey are on the bill has scared some people off of it, but there is a HUGE issue going on behind the scene that is even more heinous. Philip Anschutz, the man putting this show on, has been donating money to anti-LGBTQ causes: Alliance Defending Freedom, the National Christian Foundation, and the Family Research Council.
The Washington Post broke this story about five years ago, and the Daily Beast three years ago also wrote about it. The Daily Beast story is damning and really dives deep into the issue. When confronted Anschutz claimed that he didn’t know about his money funding those groups and that he would end it. He stated that his company was diverse and that he is for equal rights. Then a year or two after that it was found out, through his tax filings, that he had indeed stopped donating to those three anti-LGBTQ groups. However, he was now donating his money to two other equally problemic groups Dare 2 Share Ministries and Young Life, a youth ministry. On top of that he has been donating millions to conservative and libertarian groups, including ones linked to the Koch family.
I am really disappointed that some groups that I love are playing this show. I won’t stop listening to them, but it makes me wonder whether they actually do care about LGBTQ rights or not. The same thing can be said for all of the people planning to go to this. I think it’s highly hypocritical to go to this while also supporting LGBTQ rights, because they are handing a wad of cash to a man who has been proven to not give a shit about LGBTQ folks. I’m going to give people the benefit of the doubt when it comes to this because I know that not everybody has heard about it. However, if they learn about this and still go then I will be questioning who they really are.
I watch Eurovision every year because it’s fun as hell. This year was special though, because this song really captivated me. It’s the combination of traditional Eastern European vocals and varied dance beats that got me. It’s all about calling a traditional god named Shum for Spring to arrive. I love learning about pagan traditions and I think it is awesome as hell that this song is getting the attention it deserves. I will be looking out for this band in the future because I have a feeling that they are going to do well in ‘alternative’ circles.
Since very bright hair has become very mainstream it seems like more and more brands of bright hair dye are coming out of the woodwork. This itself isn’t a bad thing because what works on one person may not work on another person. What I personally take issue with is the fact that a lot of companies are charging a ton of money for these dyes, and a lot of people who have no experience with these type of dyes are being gouged in more ways than one.
Before I get stuck in I would like to let it be known that I am not a licensed hair stylist. However, I have been dyeing my own hair for about 35 years so I have a lot of experience. I have dark brown hair that is very coarse and consists of three different types of curls. Bleaching my type of hair is very difficult and time consuming. I would bleach it once and then in a day or two bleach it a second time. This would get it light enough to take in a magenta colour and that’s it. These days I would say that 80% of my new hair growth is white, which means that I no longer have to bleach it and I can dye it purple. My hair has been damaged many times in the past but it has never broken off, so my experiences may not be the same as others who have a different hair type.
With all of that being said there is no reason why people should be shelling £20.00 or more for one container of dye when they can get two, three, and in some cases even four containers of bright dyes for the same price. A lot of people wasting their money this way are doing almost no research on the subject. They are taking the word of beauty ‘influencers’ that are making a ton of money off of them by claiming that their bright hair dye is more ‘special’ than others. I’m looking at you Brad Mondo. I don’t care that you are an internet famous hair dresser, I am not going to pay over £20.00 for your bright coloured hair dye.
Certain brands work on my hair while others don’t, and that is a pretty common issue. The first main brand I ever tried was Manic Panic and it literally washed right out of my hair. These days it goes for about £10.00 a tub. The brand that I had the most success with when I lived in the US was Punky Colour. It was a little cheaper than Manic Panic and would actually stay in my hair for a few weeks. I would always mix one of their reds with one of their pinks to make my own magenta type colour. It is very pricey if you are living in Europe so I now use Directions, which is probably the most affordable brand out there. I have gotten pots of it for as low as £3.20. Their plum shade has the most cool fade that I have ever seen. Some of my hair will turn pink while other strands will turn a bright blue. When I recently went to get my hair cut my hairdresser was shocked that I had only used one shade to get that kind of multi colour fade.
In the end you can spend your money on whatever bright hair colour brand that you want, but just know that you do not need to spend an outrageous amount of cash. Do some research as to how your hair type reacts to bleach, because if you have dark hair you are not going to get a very bright hair shade unless you lighten it first. Some ads will claim that you don’t have to bleach your hair first. Quite frankly that is a load of shit. Also, ask others with your hair type what brand of dye that they use. If you do these things first before buying a bright coloured hair dye you will not only save money, you will also not be giving liars and grifters your hard earned cash.
Where do I even begin with this? I am on their mailing list and today they sent me an email that contained the above photo along with a link to an article on their site that describes what a ‘Romantic Goth’ is all about. Get ready to be schooled by Killstar!
Do I long for extravagant clothing? Sure! Personally I have always wanted to be dressed in corsets and black velvet and lace while wandering the halls of a spooky castle holding a candelabra that lights my way. All the while suffering from consumption, my deathly coughs echoing through the empty chambers, my bloody spittle blending into by black clothes. Since it was a simpler time there were no antibiotics so I would slowly die. Neat!
Yearn for arts, music and literature from the 1800’s? By golly gee you know I do! Nothing stirs me more than the Pre-Raphaelites, Mozart and Dracula! Wait, I’m not doing this right because Mozart was from the 1700’s. Shit. Oh, but I really love the hell out of Dracula! The Christopher Lee portrayal because he was a better actor and Hammer made the best Gothic type of horror film. I know I’m supposed to say Bela Lugosi but I cannot betray my heart!
So, a Romantic Goth is a classic type of goth fashion? Way back when, through the mists of time, wearing velvet and lace was just considered goth. In the 90’s different ‘types’ of goths were thought up to poke fun at the goth community, it was an inside joke that nobody took seriously. Am I supposed to be taking this seriously, because I have some velvet and lace items! Should I stop shaving part of my head and learn how to make elaborate buns out of my hair? I don’t know what to do! Bauhaus, Type O Negative and The Cure are to blame for the surge of the Romantic Goth style? Oh dear, somebody should tell them because I think some of the musicians in those bands will be very embarrassed. Break the news to them slowly because some of them aren’t in the best of health. Romantic Goths are some of the most commonly betrayed goth types in the media? How tragic!
Velvet and lace are a match made in hell? What’s hell got to do…got to do with it?
You mean I should be wearing baphomet necklaces, belts, and rings? I was wearing all of my lace and velvet clothing the wrong way? I now feel like I haven’t lived up to the required Romantic Goth angst level. All of those Hammer films lied to me! LIED!!! Damn you Christopher Lee and Ingrid Pitt…damn you! *cries dramatically and flings her cross laden jewellery across the room*
My heart is only semi dark, will that do? If I start spelling words with exxxtra x’s will that make my heart grow darker? So, there are more boxes to tick besides the Romantic Goth ones? If they involve the objectification of goth women I want to be all up in that. There is nothing like being a big tiddy goth girlfriend. Nothing.
First you call it Romantic Goth, now you call it new wave romantic fashion. Funny, I spent the last thirty years daring to think that New Wavers, New Romantics and Goths were all slightly different because those music genres weren’t exactly the same. Wait a second, are you trying to tell me that Goth has nothing to do with music and is just a fashion choice? Thank you for schooling me Killstar and for leading me into the light. Wait, am I supposed to say darkness because that would be more spooky and evil, right?
Do you want to learn more about Romantic Goths? You know you do! Click the link and you will be transformed into the Romantic Goth you knew you could always be.
Within the last few years there has been a resurgence of interest in anything having to do with the 80’s. Everything from endless posts about mediocre 80’s ‘post-punk’ bands to people asking questions as to how to directly copy the look of ‘trad’ goths litter the internet. Then there are the truly special individuals who constantly talk about how cool the decade was and how they wish they could have lived back then. They should never wish that. You want to know why? Because for the most part the 80’s was a hellish landscape of conservative neo-liberal politics mixed in with a highly conformist society that punished those who were in any way different.
I was a teen in the 80’s and graduated high school in 1989, so I spent pretty much the entirety of my teen years in that decade. I was very politically aware during that time and paid attention to the world events going on around me. For example, I went on a trip with some classmates to Washington DC in late 87 that was called Close Up. Teens from all over the US go every year to learn about politics. You get to meet your representatives and talk about important issues with others. We got enough free time to wander about the area exploring and one day two friends and I were walking near the Capital Building when a motorcade appeared. During that week Soviet officials were there to draw up the Intermediate-Range Nuclear Forces Treaty along with officials from Reagan’s cabinet which included the Secretary Of State George Shultz. I hated, and still hate, Reagan with the burning heat of a thousand suns so I was obviously not a fan of anybody serving under him. The first limos going past us had Soviet flags attached to the front, rolled down windows and Soviet guys waving at us with smiles on their faces. Seriously, it was as cool as it sounds. We smiled and waved back of course. Then the limos infested with the lice off of Reagan’s head rolled by and not one of them rolled down their windows. However, it was easy to see through the tint that one of them contained Shultz. I started yelling to him that he sucked and gave him the finger with both hands. Yes, I told a high ranking US official to basically go fuck himself. My friends were panicking telling me to stop but I wouldn’t. To this day I am still proud that at the age of 16 I had the balls to do something like that.
Now that you have learned a little bit about me I will now tell you a little bit about what it was really like to live in the 80’s.
THE COLD WAR AND THE CONSTANT FEAR OF NUCLEAR ANNIHILATION
I don’t think that younger people right now quite realize just how close we came to all being killed in a nuclear war. This fear was largely due to the constant posturing of Reagan. He would call the USSR the evil empire and threaten them on a very regular basis. Frankly I was way more afraid of Reagan back then than I was of the USSR. To the credit of the USSR back then they didn’t give in to Reagan and start a war. I honestly think the professional war mongerers who stood behind Reagan wanted an all out war with the USSR because they would have made billions from that. Both empires fought a proxy war in Afghanistan when the USSR invaded the country while the US backed and trained the rebels. By the way one of those rebels was Osama Bin Laden.
Nuclear war was such a possibility at the time that two powerful tv films were made about it happening. Threads in the UK and The Day After in the US. Since I was living in the US at the time I saw The Day After when it was first aired in 1983 when I was in the 7th grade. It freaked my friends and I out so much that we went to our vice principal and asked about whether the school had a nuclear fallout shelter. Think about that for a second. Imagine being a young teen and having that kind of fear hanging over your head on a constant basis. It sucked. A few years ago I finally saw Threads and it shows the reality of a nuclear war; people being burned alive and the unsanitized reality of what would happen after a nuclear conflagration. If I had seen it back in the 80’s I would have had full blown nightmares.
IF YOU WERE IN ANY WAY ‘DIFFERENT’ YOU GOT CONSTANTLY SHIT ON AND CONFORMITY WAS A WAY OF LIFE
I always see younger people in online goth communities say that they wished that they could have experienced an ‘alternative’ subculture back in the 80’s. With confidence I can say that the vast majority of them wouldn’t have been emotionally equipped to have handled all of the shit that they would have gotten from others. It wasn’t just the ‘normal’ people that you had to deal with back then, you also had to deal with intense pressure within the alternative community to fit in by liking the same bands and behaving the same way. Woe onto you if you actually acted happy or liked a band that wasn’t considered cool. People think that ‘gatekeeping’ is bad now? They have no idea.
There was a huge amount of pressure back then by society to fit in. Reagan constantly preached about how America was better in the good old days, which were actually not good for anybody who wasn’t wealthy and white. If you didn’t go along with his not so hidden racist agenda you were seen as unpatriotic and a traitor. I am not exaggerating. You had to hate the USSR, be scared of black people, and look just like everybody else. If you didn’t have a perm, didn’t dress in the trendiest clothes and didn’t listen to the latest pop bands you didn’t fit in so you were considered fair game to tease and even physically attack. Luckily I was never physically attacked but I know that lots of people were. Far more violence happened back then than now. However, I had things yelled at me on a constant basis, for doing such things as simply walking down a street. In high school I was even told by a teacher that I wouldn’t have as many problems if I just dressed like everybody else.
IT WAS DIFFICULT AS HELL FINDING OUT ABOUT BANDSAND SHOWS
There was no functioning internet back in the 80’s. There were some bulletin board type communities but computers were expensive as hell so most people did not have them. There were thee ways of finding out about bands back then. You could be one of those lucky people that lived near a radio station that actually played alternative and punk music. These were usually college radio stations, but sometimes pop stations would play less popular music in the the middle of the night. There was a pop station in my area that did this. So much so that by the very late 80’s they became an ‘alternative’ station. However, by that time they played more radio friendly bands than experimental ones. However, I did learn about some bands by listening to them. Another way to learn about bands was by getting mix tapes from your friends. In early 86 I got one from a guy, who then ghosted me. There was no track listing written down so it took me literally years to figure some of them out. However, I had another person introduce me to Joy Division by handing me a tape with Unknown Pleasures on one side and Closer on the other. The last way to find out about music was by cold buying it. You would see somebody cool wearing a mysterious band shirt and you kept a log of those band names in the back of your head. I actually cold bought November Coming Fire by Samhain using this method, and more times than not I had really good luck.
On top of all of this there was a code of silence that the uber goober type people would pull when you would ask them about what bands they liked. Seriously. There was some sort of strange code that some weirdos lived by that made it very uncool to share musical knowledge with anybody. It was as if they were going to be killed by an evil cabal if they dared to utter the sacred names of bands. These were the same types who would try to dictate how you behaved in clubs.
Wanted to see your favourite band play a show? Good luck! Most of the time the only way you would find out about shows was at club nights, but if you were under 18, and sometimes 21, you weren’t allowed in them. I actually went to one that let you in of you were 17 or older and another that was all ages so I was lucky when it came to that. However, that didn’t mean you would find out about all of the shows because venues were usually total shit at advertising shows unless they were some of the better known ones that also hosted metal shows. There were some ‘alternative’ weekly papers where I lived so I would find out about some of them that way, but there were two times that I accidentally saw bands because I thought it was going to be a regular club night. I saw Meat Beat Manifesto and The Call that way which looking back on it was pretty darn cool.
Well, that’s it for today. I realise that I have probably broken some hearts and crushed some dreams but the amount of misinformation about the 80’s really needs to be balanced out with a reality check. I don’t look back at that decade with rose coloured glasses, even though I lived through those years. It could be fun, but it was also really difficult. If I had the ability to go back in time to those years I wouldn’t.